Despite the advent of science, literature, technology, philosophy, religion, and so on — none of these has assuaged humankind from killing one another, the animals, and nature. UNITY is a film about why we can’t seem to get along, even after thousands and thousands of years.
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In 1977, a book of photographs captured an awakening – women shedding the cultural restrictions of their childhoods and embracing their full humanity. FEMINISTS: WHAT WERE THEY THINKING? revisits those photos, those women and those times and takes aim at our culture today that alarmingly shows the need for continued change.
Beyoncé and Jay Z perform live in Paris at Stade de France during their 2014 “On the Run Tour.”
The images could be taken from a science fiction film set on planet Earth after it’s become uninhabitable. Abandoned buildings – housing estates, shops, cinemas, hospitals, offices, schools, a library, amusement parks and prisons. Places and areas being reclaimed by nature, such as a moss-covered bar with ferns growing between the stools, a still stocked soft drinks machine now covered with vegetation, an overgrown rubbish dump, or tanks in the forest. Tall grass sprouts from cracks in the asphalt. Birds circle in the dome of a decommissioned reactor, a gust of wind makes window blinds clatter or scraps of paper float around, the noise of the rain: sounds entirely without words, plenty of room for contemplation. All these locations carry the traces of erstwhile human existence and bear witness to a civilisation that brought forth architecture, art, the entertainment industry, technologies, ideologies, wars and environmental disasters.
When Lonnie Franklin Jr. was arrested in South Central Los Angeles in 2010 as the suspected murderer of a string of young black women, police hailed it as the culmination of 20 years of investigations. Four years later documentary filmmaker Nick Broomfield took his camera to the alleged killer’s neighborhood for another view.
The answer to feeding the world’s expanding population may be smaller than you think.
This portrait of Hilary Knight, the artist behind the iconic Eloise books, sees him reflecting on his life as an illustrator and his relationship to his most successful work.
Wasted Talent is a gritty documentary where director Steve Stanulis and producer Noel Ashman together examine the temptations and struggles many young celebrities go threw on their rise to stardom. It focuses on the story of actor LIllo Brancato who was once considered to be the next Robert De Niro, after his huge success starring in the films A Bronx Tale(De Niro’s directorial debut), Renaissance Man, Crimson Tide and the classic tv show The Sopranos. However Brancato got trapped in the underworld of hollywood instead becoming a drug addict culminating in his arrest for the murder of a new york city police officer on a drug excursion gone horribly wrong. Though Brancato was cleared of the murder charge, he still did eight and a half years in jail on an attempted burglary conviction. During his time in prison the young actor was finally able to get clean and sober, and is now struggling to redeem himself in the fickle world of entertainment.
Louis Theroux travels to California to meet the man dubbed “the most dangerous racist in America”; Tom Metzger. Louis meets him, his family and his publicity manager as well as following him to skinhead rallies and on a visit to Mexico.
Don McGlynn’s uncompromising and soulful documentary look at the tumultuous life of musician and rebel Charles Mingus is fascinating stuff. Mingus said of himself “I am half black man, half yellow man, but I claim to be a Negro. I am Charles Mingus, the famed jazz musician–but not famed enough to make a living in America.” His statement summed up the conflict that plagued this musical genius his entire life: volatility, pain, prescience, and raw rage roiled inside a complex man, composer, bass player, and trombonist who transcended labels and refused to be pigeonholed into a single musical style–and who did not achieve real fame until late in his career.
Award-winning filmmaker, Marina Willer (Cartas da Mãe), creates an impressionistic visual essay as she traces her father’s family journey as one of only twelve Jewish families to survive the Nazi occupation of Prague during World War II. Photographed by Academy Award® nominee César Charlone (City of God), the film travels from war-torn Eastern Europe to the color and light of South America and is told through the voice of Willer’s father Alfred (as narrated by Tim Pigott-Smith, Quantum of Solace), who witnessed bureaucratic nightmares, transportations and suicides but survived to build a post-war life as an architect in Brazil. As the world struggles with the current refugee crisis, RED TREES is a timely look at a family besieged by war who finds peace across an ocean.
Researchers reveal the presence of a supreme interdimensional intelligence that has been manipulating mankind for centuries. Interviews with experiencers and alien abductees expose a sinister agenda behind the alien presence on Earth.
