Hollywood, land of the famous, the infamous, the beautiful, the ugly and the WEIRD. Join your Host Dark Infinity on a journey through the dark side of Hollywood on a visit to the California Institute of Abnormal Arts, a chat with adult actress Alana Evans, a look back AND ahead with Breakdance Entrepreneur The Egyptian Lover, a visit with the legendary The Goddess Bunny and more.

Mark Sloper directs this feature-length documentary taking you through the thrills and spills of the 2013 British Superbike season. This year saw riders Shane Byrne and Ryuichi Kiyonari battle it out for the chance to become the first ever four-time champion.

Does the Skunk Ape exist? This is the question researcher Stacy Brown Jr. poses to you, presenting you with the best historical accounts, eyewitness testimonies and evidence that he has collected throughout the first eight years of his journey.

In the Republic of Belarus, Europe’s last remaining unreconstructed Communist dictatorship, the Belarus Free Theatre risks censorship, imprisonment and worse to stage their provocative and subversive plays in secret performances at home and to critical acclaim abroad. Director Madeleine Sackler goes behind the scenes with this group of gutsy performers as they brave a renewed government crackdown on dissenters in 2010.

‘GrassRoots: The Cannabis Revolution’, explores the medicinal use of cannabis, the patients involved & the campaign to change UK law.

Under pressure to continue a winning tradition in American tennis, Mardy Fish faced mental health challenges that changed his life on and off the court.

Exploring provocative viewpoints from engineers, factory workers, journalists, philosophers and Asimov himself, The Truth About Killer Robots is a cautionary tale about a world automating beyond control.

From the beginning, LA punk band the Circle Jerks were rooted in controversy. Formed by ex members of Black Flag and Red Cross (now Redd Kross) in late 1979, the band came to encapsulate the image, sound and energy of California Hardcore Punk. Filmmaker David Markey (1991: The Year Punk Broke, The Slog Movie) mixes in-depth interviews, rare live footage and historical perspective to illustrate the story of one of the most influential bands in the American underground. My Career as a Jerk follows the band from their early days and classic debut to navigating the independent label and touring scene of the 80s to the addictions, fights and injuries that forced their break up. Of course the story doesn’t quite end there.

Selections include Kelley’s Plasticon Pictures, the earliest extant 3-D demonstration film from 1922 with incredible footage of Washington and New York City; New Dimensions, the first domestic full color 3-D film originally shown at the World’s Fair in 1940; Thrills for You, a promotional film for the Pennsylvania Railroad; Stardust in Your Eyes, a hilarious standup routine by Slick Slavin; trailer for The Maze, with fantastic production design by William Cameron Menzies; Doom Town, a controversial anti-atomic testing film mysteriously pulled from release; puppet cartoon The Adventures of Sam Space, presented in widescreen; I’ll Sell My Shirt, a burlesque comedy unseen in 3-D for over 60 years; Boo Moon, an excellent example of color stereoscopic animation…and more!

Hiroshima and Nagasaki: 75 Years Later is told entirely from the first-person perspective of leaders, physicists, soldiers and survivors.

A documentary 33 years in the making, director and friend of Kurt Vonnegut seeks through his archives to create the first film featuring the revolutionary late writer.

With exclusive access to his extraordinary unseen and unheard personal archive including hundreds of hours of audio recorded over the course of his life, this is the definitive Marlon Brando cinema documentary. Charting his exceptional career as an actor and his extraordinary life away from the stage and screen with Brando himself as your guide, the film will fully explore the complexities of the man by telling the story uniquely from Marlon’s perspective, entirely in his own voice. No talking heads, no interviewees, just Brando on Brando and life.