Aspiring teenage astronauts reveal that a journey to Mars is closer than you think.

A human story about a socially responsible company, “Dr. Bronner’s Magic Soapbox” documents the complicated family legacy behind the counterculture’s favorite cleaning product — Bronner’s son, 68-year-old Ralph, endured over 15 orphanages and foster homes as a child, but despite difficult memories, is his father’s most ardent fan.

Yuli is the nickname given to Carlos Acosta by his father, Pedro, who considers him the son of Ogun, an African god and a fighter. As a child Yuli avoids discipline and education, learning from the streets of an impoverished and abandoned Havana. His father, however, has other ideas, and knowing that his son has a natural talent for dance, sends him to the National Ballet School of Cuba. Despite his repeated escapes and initial poor behaviour, the boy is inevitably drawn to the world of dance, and begins to shape his legendary career from a young age, becoming the first black dancer to be cast in some of the most prestigious ballet roles, originally written for white dancers, in companies such as the Houston Ballet or the Royal Ballet in London.

When he started as a comedy writer for the Late Show with David Letterman, Steve Young had few interests and not many friends outside of his day job. But while gathering material for a segment on the show, Steve stumbled onto a few vintage record albums that would change his life forever. Bizarre cast recordings – marked “internal use only” – revealed full-throated Broadway-style musical shows about some of the most recognizable corporations in America: General Electric, McDonald’s, Ford, DuPont, Xerox. Bathtubs Over Broadway follows Steve Young on his quest to find all he can about this hidden world. While tracking down rare albums, unseen footage, composers and performers, Steve forms unlikely friendships and discovers that this discarded musical genre starring tractors and bathtubs was bigger than Broadway.

Documentary examining what happens to some of the biggest names in the history of the adult entertainment industry after they leave the business and try and live “normal” lives.

In this provocative documentary, worldwide experts in the fields of futurology, anthropology, neuroscience and philosophy consider the impact of technological advances on the two certainties of human life: work and death. Charting human developments from early man, past the Industrial Revolution, to the digital age and beyond, THE FUTURE OF WORK AND DEATH looks at the astonishing exponential rate at which mankind creates technologies to ease the process of living. As we embark on the next phase of our ‘advancement’ with automation and artificial intelligence driving the transformation from man to machine, the film gives a shockingly realistic look into the future of human life.

The life story of R&B singer-songwriter and producer, Toni Braxton.

An intimate portrait of Matthew Shepard, the gay young man murdered in one of the most notorious hate crimes in U.S. history. Framed through a personal lens, it’s the story of loss, love, and courage in the face of unspeakable tragedy.

In “Dolphin Reef,” Disneynature dives under the sea to frolic with some of the planet’s most engaging animals: dolphins. Echo is a young bottlenose dolphin who can’t quite decide if it’s time to grow up and take on new responsibilities-or give in to his silly side and just have fun. Dolphin society is tricky, and the coral reef that Echo and his family call home depends on all of its inhabitants to keep it healthy. But with humpback whales, orcas, sea turtles and cuttlefish seemingly begging for his attention, Echo has a tough time resisting all that the ocean has to offer.

A film by Frederick Wiseman following the ins and outs of 7 ballets by the Paris Opera Ballet.

The harrowing story of a woman trying to use Alabama’s Stand Your Ground law after killing a man she says brutally attacked her.

This concert, recorded to celebrate the 25th anniversary of the landmark musical Les Miserables, gathers the casts of the show’s 2010 original production at the Queen’s Theatre, the 1985 original production by the London company, and the 2010 production at the Barbican together for one performance. Together with talents like Michael Ball, Hadley Fraser, and John Owen-Jones, the performers present the play’s musical numbers in a semi-theatrical style, fully costumed and with all the emotion of the musical’s heyday.