In the days following the surrender of Germany in May 1945, a group of young German prisoners of war were handed over to the Danish authorities and subsequently sent out to the West Coast, where they were ordered to remove the more than two million mines that the Germans had placed in the sand along the coast. With their bare hands, crawling around in the sand, the boys were forced to perform the dangerous work under the leadership of the Danish sergeant, Carl Leopold Rasmussen.
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Israel “Reefa” Hernandez Jr, an 18-year-old Colombian immigrant and talented artist, is spending his last summer in Miami with friends, family and his new girl Frankie before moving to New York City on an art scholarship. While Israel and his friends skateboard the city streets and spray paint the walls of Wynwood, Miami’s graffiti Mecca, anxieties emerge twofold: Israel and his family nervously await their Green Cards while he desperately seeks recognition for his art. On August 6, 2013, as Israel spray paints one last wall which would command immediate respect from his peers, a fatal encounter with a police officer leaves his family and friends devastated, the Miami community outraged, and the country reeling from another case of police brutality.
The true story of how Ray Kroc, a salesman from Illinois, met Mac and Dick McDonald, who were running a burger operation in 1950s Southern California. Kroc was impressed by the brothers’ speedy system of making the food and saw franchise potential. He maneuvered himself into a position to be able to pull the company from the brothers and create a billion-dollar empire.
A young Cambodian man who has been trained to fight for money in his country is hired to kill someone in Hong Kong. He performs the hit and then flees from Hong Kong police, who are wrestling with internal problems of a model cop and his son, who is also on the force and who was told by his dad not to become a police officer.
An independent tragicomedy, Run If You Can is the debut feature for director Brüggemann who, along with his sister, also wrote the compelling screenplay. Forced to spend the rest of his life in a wheelchair, Ben is deeply desperate, despite his humor and vivaciousness. When he meets Christian, his new assistant, Ben treats him like every other helper he’s had. Things suddenly change when Christian meets Annika, “the cello player” whom Ben has been observing from his window for years. The three become close friends, putting Annika in the middle of an emotional, and somehow dangerous, ménage à trois. While conquering Annika is nothing very serious for career-focused Christian, Ben’s love for Annika reminds him of his past and forces him to face his most remote fears. A character-driven story, Run If You Can owes much of its power to the actors’ performances, especially Robert Gwisdek’s outstanding interpretation of Ben.
Danny, a respected cop, is setup after an investigation goes wrong. While laying low in his new jail cell, Danny is forced to get involved in the inmates underground cage fighting circuit. With the help of Irving, a former mixed martial arts champion, Danny devises a scheme to bring justice and innocence to his family’s name, if he can get out of the cage alive.
Ensemble film revolving around characters living in Forest Gate, London. Over the course of a few days, six inter-linking stories explore issues of drug use, prostitution and urban poverty.
Harvey Cheyne, Jr., second richest person in the world, orphaned and spoiled rotten, encounters a cigar and the sea on his way to England for boarding school. Seasick, over the rail for real, rescued by Dan Troop of a Gloucester fishing sailboat. Three months at sea, under a firm but fair Captain Troop (fair wages of $10.50 a month, if you don’t work you don’t eat). A hard life and a dangerous one, and a lot of growing up to do through hardship and tragedy.
Brooks Caldwell, (Cary Elwes) an erudite and handsome lawyer, seems to have it all: wealth, social status and a red hot career. His success is, in reality, a product of his marriage to his beautiful, socialite wife, Amanda, (Terri Polo) a wealthy timber heiress. Unlike most, who would remain content to enjoy a life of luxury and privilege, Brooks continues to risk everything by having extramarital affairs. Brooks’ philandering, in addition to humiliating Amanda, has driven her to the point of a mental breakdown. Having been pushed over the edge, Amanda orchestrates a just and elaborate plan to bring her husband down. When Brooks leaves for a weekend romp with his latest squeeze, (Agnes Bruckner) his life quickly descends into a bizarre, nightmarish, downward spiral.
Part-time model Valentine meets a retired judge who lives in her neighborhood after she runs over his dog. At first the judge gifts Valentine with the dog, but her possessive boyfriend won’t allow her to keep it. When she returns with the dog to the judge’s house, she discovers him listening in on his neighbors’ phone conversations. At first Valentine is outraged, but her debates with the judge over his behavior soon leads them to form a strange bond.
