4,000 teenagers of a YMCA run a mock government complete with elections, legislators, lobbyists, and political party bosses.

In 1984—before cell phones, the web, and reality TV, a young director set out to document a year in the life of a typical California high school. The result was “All American High”, an unusually honest and humorous look at 80’s teen life. Told through the eyes of a visiting foreign exchange student, the film presents an uncensored view of senior year in the era of big hair, punks and parachute pants. Thirty years after they lived it, some of the film’s original subjects return in new interviews, revisiting one of the most memorable chapters in their lives.

It’s recruiting time and despite being short and scrawny, Johnny Walker is America’s hottest young football prospect. His dilemma: should he take one of the many offers from college talent scouts or should he attend the local state college with his girlfriend and give up his football career?

In 1971, director Melvin Van Peebles turned the figure of the black hero in US cinema upside down with Sweet Sweetback’s Baadasssss Song: the story of the making of a seminal movie that initiated the Blaxploitation movement, a short-lived but highly influential sub-genre in the years that followed.

Hamilton’s America delves deeper into the creation of the Hamilton musical, revealing Lin-Manuel Miranda’s process of absorbing and then adapting Hamilton’s epic story into groundbreaking musical theater.

The Real Bruce Lee is a martial arts documentary. It begins with a brief biography of Bruce Lee, and shows scenes from four of his childhood films, Bad Boy, Orphan Sam, Kid Cheung, and The Carnival, each sepia-toned and dubbed to English. Next, there is a three-minute highlight reel of Lee imitator Bruce Li. Finally, there is a feature-length film starring Lee imitator Dragon Lee, which is obviously modeled after Bruce Lee’s Fist of Fury.

“Fim do Sem Fim” is a feature-length documentary that has as its backdrop the imminent disappearance of certain trades and professions in Brazil. Shot in 10 Brazilian states, the film is a dive into the inventiveness and resistance of men in the face of technological and cultural changes.

A mother tracks down the first person ever diagnosed with autism, now an elderly man in rural Mississippi, to learn if his life story holds promise for her own autistic son. Her journey exposes a startling record of cruelty and kindness alike, framed by forces like race, money and privilege – but leads to hope that more of us are learning to have the backs of those who are “different”.

Sonia Kennebeck takes on the controversial tactic of drone warfare, and demands accountability through the personal accounts—recollections, traumas, and responses—of three American military veterans whose lives have been shaken by the roles they played in this controversial method of attack.

A documentary exploring the birth, death and resurrection of illustrated movie poster art. Through interviews with a number of key art personalities from the 70s and 80s, as well as many modern, alternative poster artists, “Twenty-Four by Thirty-Six” aims to answer the question: What happened to the illustrated movie poster? Where did it disappear to, and why? In the mid 2000s, filling the void left behind by Hollywood’s abandonment of illustrated movie posters, independent artists and galleries began selling limited edition, screenprinted posters — a movement that has quickly exploded into a booming industry with prints selling out online in seconds, inspiring Hollywood studios to take notice of illustration in movie posters once more.

At 17:00 every day, Andrew, a middle-aged man, drives home from work through Melbourne’s outer suburbs in peak-hour traffic. Occasionally, he offers a lift home to a younger colleague, David. Over a year, their tentative small talk gives way to a warm friendship and open conversation within the confines of the vehicle, incrementally revealing their lives.

Max “Adlersson” Herzberg, 20 years of age, from Dresden decided not to spend his life working. Ever since, he reviews knives and other products, unboxes limited fan editions of mainly gangsta rap albums, gives talks about himself, drinks, swears and bawls in town, humiliates others, cracks borderline jokes and crosses every boundary he sees – Max is a YouTube creator and makes a decent living off of it. Most of Max’s friends have their own channels on YouTube, some even quite successfully. Max and his gang are dubious role models but without a doubt, they are celebrities of their generation having more than 300.000 active fans. Is Max a violence-glorifying influencer with far-right tendencies or a usual adolescent, just trying to find himself and happens to be born into a time where the lines between private life and public self-display are blurring? He might be both, possibly without being overly aware of it.