In a forgotten village with lazy people and corrupt leadership, Pacoste must suffer for a mistake made in his past. His only friend is a young boy who finds in him a father figure.
You May Also Like
A Japanese cop, Shiro, and his partner Ray are after a bunch of drug dealers. But they are betrayed by an insider and Ray is killed. Shiro follows the murderer, a sadistic drug lord, up to Singapore.
It is the story of a fiercely fought election campaign, where money power and corruption are the accepted norms, and where treachery and manipulation are routinely used weapons. As the personal drama of these conflict-ridden characters unfolds against this gritty backdrop, love and friendship become mere baits, and relationships get sacrificed at the altar of political alignments. The darkness that rises from their souls threatens to envelope all that they hold precious. Until eventually, in the crescendo of increasing violence, the line between good and evil blurs, making it impossible to distinguish heroes from villains. Raajneeti is the story of Indian democracy. And its ugly underside. It is about politics. And beyond.
Page Eight is lovingly turned, with elegant writing, a flawless cast and a heartfelt message from writer/director David Hare about the danger zone where spies and politicians meet. The tension builds gently as we follow the fortunes of Johnny Worricker, a jazz-loving charmer who works high up at MI5 as an intelligence analyst. It’s a part made for Bill Nighy and he purrs out bon mots with a weary panache that women 20 years younger find irresistible. One such is his neighbour, Nancy Pierpan (Rachel Weisz), in a Battersea mansion block. The question for Johnny is whether her interest in him is genuine or hides something darker. As his boss (Michael Gambon) puts it: “Distrust is a terrible habit.” Questions of trust, honour and friendship rumble through the play. The characters exchange oblique repartee as a plot about a damning dossier unwinds. It’s not to be missed.
The erotic novelist Taeko is writing a morbid story of a family destroyed by incest, murder and abuse. Her assistant, Yuji, sets on a mission to uncover the reality of this story, but the reality might be too much to bear.
A romantic drama set in Denmark in 1913, the story follows Anton, a noble and conscientious young man whose top priority is to complete his training as a cavalry officer. During a training session, he orders his platoon to help Baron von Løvenskjold and finds himself invited to a ball at the castle, where he meets the baron’s beautiful daughter Edith who has been in an accident and ended up in a wheelchair.
A long-lost engagement ring still divides childhood sweethearts who are now in their golden years. Now, her daughter (Heaton) and his nephew meet and find that their attraction is hindered by the old feud.
The moment these two saw each other at the café, they couldn’t take their eyes off each other. Their attraction was apparent and it seemed that destiny brought them together. As they got to know the other better, they found solace and comfort in each other’s company. But the security they found in each other soon started to shake when their different life paths take them to different directions. Despite the love they both still have for each other, one must choose to decide when to let go, even if the other is still holding on.
Convinced the tragic deaths of her loved ones were orchestrated by a famous novelist she worked for, Luciana turns to a journalist to expose her truth.
