The two sides of Frida Kahlo’s spirit: on one side the revolutionary, pioneering artist of contemporary feminism and on the other, the human being, victim of her tortured body and a tormented relationship.

A retrospective of the life and work of Glenn Gould, Hereafter synthesizes an incredible wealth of archival material from various sources.

Richard Kuklinski was a devoted husband, a loving father…and a ruthless killer. A decade after HBO last visited him in prison, the convicted murderer, who freely admits having whacked more than 100 people in cold blood, takes viewers back inside his cold, calculating mind. In this follow-up to America Undercover’s 1992 film The Iceman Tapes: Conversations with a Killer, Kuklinski provides all-new insights about his exploits as one of the Mafia’s most notorious assassins…and reveals some shocking confessions for a number of previously unsolved murders.

Comic Hasan Minhaj of “The Daily Show” shares personal stories about racism, immigrant parents, prom night horrors and more in this stand-up special.

A hybrid of memoir docudrama and narrative fantasy, A KADDISH FOR BERNIE MADOFF tells the story of Madoff and the system that allowed him to function for decades through the eyes of musician/poet Alicia Jo Rabins, who watches the financial crash from her 9th floor studio in an abandoned office building on Wall Street. Fueled by her growing obsession, real-life interviews transform into music videos, ancient spiritual texts become fevered fantasies of synchronized swimming, and a vivid, vulnerable work of art is born from the unique perspective of an artist watching the global financial collapse up close.

Every year, over 100,000 Mexicans living in the USA are deported to Mexico. Many of them have grown up and spent decades in America, working, paying taxes, starting families. Some can’t even speak Spanish. In a matter of days. they find themselves torn away from their children and loved ones and escorted across the border. The border town of Tijuana has become an airlock between two worlds, where the broken lives of migrants end up. For many of these deportees, the only work available is in relocated American call centres.
Rocio, Richard and Sergio are just three of those affected. We follow them for nearly a year as they struggle to make sense of the situation they are now in and rebuild their lives.

Hla and Nyo Nyo live in a country torn by conflict. Hla is a Buddhist and the owner of a makeshift medical clinic in western Myanmar, where the Rohingya (a Muslim minority community) are persecuted and denied basic rights. Nyo Nyo is a Muslim and an apprentice midwife who acts as an assistant and translator at the clinic. Her family has lived in the area for generations, yet they are still considered intruders. Encouraged and challenged by Hla, who risks her own safety daily by helping Muslim patients, Nyo Nyo is determined to become a steady health care provider for her community.

You arrive at a secret location at a precise time, prompted by a mysterious email. You must follow the instructions closely. Once inside, disturbing visions begin. Unspeakable acts befall you—often frightening, sometimes sensual, possibly painful—each stimulating your deepest fears. And when it’s over, you are changed, abandoned, and left wondering what is real and what was merely a game.

Meet the fascinating felines and the people who pamper then in this whimsical look at the ins and outs of Canada’s competitive cat show circuit, where the claws come out when a Turkish Angora and an adorable fluffy red Persian face off to take home the national award for Best in Show.

A documentary about the Rio de Janeiro police killings praticed as so-called “self-defense acts”.
The film follows people who deal with those deaths in their daily lives, showing how Brazil’s Federal Government deals with these cases, from the police investigations to the courtrooms.

Cameras follow Irish solo sailor Tom Dolan as he attempts to sail single-handed around the island of Ireland, which is one of the toughest feats in sailing.

At the height of the Cold War, Gilligan’s Island depicted seven Americans living in an analogue of a post-apocalyptic world where the survivors have to rebuild civilization. Remarkably, the society they create is pure communist. Interviews with the show’s creator and some of the surviving actors, as well from professors from Harvard, reveal that Gilligan’s Island was deliberately designed to be dismissed as low brow comedy in order to celebrate Marxism and lampoon Western democratic constructs.