Ukraine’s topless feminist sensation Femen has created a media frenzy across Europe, but before they take the world by storm, these bold and beautiful women must confront the dark and perverse forces that power their organisation.
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In 2010, the media branded a platoon of U.S. Army infantry soldiers “The Kill Team” following reports of its killing for sport in Afghanistan. Now, one of the accused must fight the government he defended on the battlefield, while grappling with his own role in the alleged murders. Dan Krauss’s absorbing documentary examines the stories of four men implicated in heinous war crimes in a stark reminder that, in war, innocence may be relative to the insanity around you.
Partition, 1921, tells the story of how Ireland came to be to be partitioned from the perspective of the British and unionist politicians who divided Ireland. Michael Portillo examines how this happened, unravelling a web of intrigue woven by the British ruling classes for whom the essential issue was defending Ulster
While the sport of boxing requires sacrifice, discipline, concentration, and determination for Manny Pacquiao, it was survival.
Wiz’s Weekender (1992) was a film ahead of its time, both in form and content. It engaged with contemporary issues that mainstream media were eager to sensationalise. Consequently, it was branded with an 18 certificate and banned by both the BBC and ITV, never reaching a wider audience. For the past three decades, Weekender has bubbled just below the surface, gaining genuine cult status and influencing a vast network of creators. In the run-up to its thirtieth anniversary filmmakers Tabitha Denholm and Adam Dunlop interviewed people involved in the project. I Am Weekender is built around those conversations.
Auschwitz-Birkenau was designed to kill. Four gas chambers murdered thousands at a time, belching out smoke and human ashes. Starvation, thirst, disease, and hard labor reduced the average lifespan to less than three months. More than 1-million people perished in the largest German Nazi concentration and extermination camp. Seventy years after her liberation, Kitty Hart-Moxon makes a final return to Auschwitz-Birkenau to walk among the crumbling memorial with students Natalia and Lydia, who, at 16, are the same age now as she was then. As Kitty tells them her story of daily existence, themes begin to emerge: the ever-present threat of death, resilience, friendship, human strength, resisting the Nazis’ constant lethal intent, and living like an animal while still remaining human. Natalia and Lydia ask questions; Kitty provides answers, passing her legacy to the next generation.
The incredible story behind the multi-million dollar moon rock heist at NASA – and how it was an inside job. In July 2002 ‘physics genius’ Thad Roberts and three accomplices pulled off perhaps the greatest ever theft in NASA history at the Johnson Space Centre, Houston, Texas. Using their NASA IDs Roberts, and one female partner in crime, slipped into the centre at night stealing a 600lb safe containing moon rocks from every Apollo mission.
Samsara is a word that describes the ever turning wheel of life. It is a concept both intimate and vast – the perfect subject for filmmakers Ron Fricke and Mark Magidson, whose previous collaborations include Chronos and Baraka, and who, in the last 20 years, have travelled to over 58 countries together in the pursuit of unique imagery. Samsara takes the form of a nonverbal, guided meditation that will transform viewers in countries around the world as they are swept along a journey of the soul. Through powerful images pristinely photographed in 70mm and a dynamic music score, the film illuminates the links between humanity and the rest of the nature, showing how our life cycle mirrors the rhythm of the planet.
Despite the very public dispute over the ownership of the music icon Taylor Swift’s masters from her first six studio albums, she continues to dominate the charts with four new studio albums releasing and the re-recording of her first six albums. While Swift’s careers has faced highs and lows, her constant resilience proves she is Unstoppable.
Yehudi Menuhin was the 20th century’s greatest violinist. He was a child prodigy but the man behind the violin was harder to know. Endlessly touring and crossing continents and cultures, his contract with EMI was the longest in the history of the music industry. He took classical music out of the concert hall because he believed music was for everyone and had the power to change lives. An impassioned idealist, Yehudi wanted to give more to the world – he became a tireless fighter for humanitarian issues he believed in. In this film, commemorating the 100th year of his birth, family and close friends recall his extraordinary musical life, in which he embraced jazz and Indian ragas as much as Bach, Beethoven and Bartok. And incredible home movies take us on an intimate behind-the-scenes journey from his childhood in California, to meeting gypsies in Romania and travelling to India and beyond.
Venturing into the wilds of China, “Born in China” captures intimate moments with a panda bear and her growing cub, a young golden monkey who feels displaced by his baby sister, and a mother snow leopard struggling to raise her two cubs.
This is a David and Goliath story of one veterinarian’s battle to protect her patients (tigers, lions and even house cats) from big corporations, with their big corporate money, that will shamelessly do anything to animals to increase their bottom line. She starts a grassroots movement that is fueled by passion, but appears to be losing the battle. Then, unexpectedly, she realizes that the corporations accidentally left her a giant loophole. In a scramble to take advantage of this unforeseen gift, she leads the crusade passing legislation protecting animals from de-clawing in seven cities in just six weeks.
With loans from across the world, this major retrospective will bring together Vermeer’s most famous masterpieces including Girl with a Pearl Earring, The Geographer, The Milkmaid, The Little Street, Lady Writing a Letter with her Maid, and Woman Holding a Balance. This film invites audiences to a private view of the exhibition, accompanied by the director of the Rijksmuseum and the curator of the show.