Splendor is the name of an old movie theater managed by Jordan (Mastroianni), who inherited it from his father. The theater is in decay and only generates debts and trouble, but Jordan gets aid in his almost quixotian quest from projectionist Luigi (Troisi) and ushurette Chantale (Vlady). However, Jordan is finally forced to sell the Splendor to businessman Lo Fazio (Piperno), which plans to transform it in some kind of furniture store. When Jordan leaves the theater for the last time (the very first scene), he recalls the glorious days of Splendor and movies in general.

In a world where any teenager can film with his own mobile phone and post all kinds of things on the Internet, Laura, an 18-year-old girl, spends a night in a club with her friend Mira.

Kenneth (who likes to call himself Kay) begins to realise he’s just another wannabe bad boy… even less than a loser in fact. After quitting his job at Laimsbury’s, Kay vows to become a respected gangster… or cry trying. A pulls-no-punches, coming-of-age story, centering on one directionless hopeless “shotter”, who finds his true worth in the face of urban adversity.

A portrait of youth in bloom; a tale of one family’s dissolution; a reflection upon the danger and the mystery in living. Sandrine Bonnaire plays Suzanne, a free spirit and the vessel for an almost Brontëan choler. She’s 16, and men exist — diverse lovers, an overbearing brother, and the father portrayed by director Maurice Pialat himself in an unforgettable turn that displays the full magnitude of the cinema giant’s tenderness, force-of-will, and presence of being.

The Guvnors is a violent thriller set amongst the clans and firms of South East London, bringing two generations together in brutal conflict.

A scientist becomes obsessed with bringing back his family members who died in a traffic accident.

Shelia, a single mom and sometime paranormal investigator, is enlisted to investigate a possible “haunting” at a widower’s farmhouse in East Tennessee.

After her stay-at-home husband leaves her, a workaholic lawyer finds that she is not completely up to the tasks of caring for her young son, ailing father and household all by herself.

Radhika, a journalism intern is investigating bike riders violating traffic on a city flyover, turns sinister when she becomes prime suspect in the mysterious death of one of the motorists, she is forced to prove her innocence and find the real culprit.

While grappling with early symptoms of dementia, Shailaja finds herself at the cusp of her past, present, and future. She decides to go on a trip to revisit her childhood before her memories ebb away. She embarks on a confrontational journey that makes her deal with questions related to a traumatic event in her childhood, the mundanity of her marriage, and the complexity of her future as she travels through the coastline of Konkan with her husband and childhood love.

Inspired by a true story, Evelia, a Mexican migrant, becomes the only witness to the murders of the mysterious family she works for. She must make the decision of her life if she is to survive.

Two physicians, one old and one young, fall in love with the same woman, Juliette, a quixotic hairdresser. First, she is with Raoul, the older one; then passion for Clément, the younger doctor, takes over. Raoul fights back, playing on Clément’s guilt and Juliette’s lack of self-assurance; then, Clément makes his case to Juliette, abandons his fiancée, and takes her to the provinces where he sets up practice and asks her to have a baby. She panics and abruptly leaves Clément, taking up with Raoul again. When she contracts Hodgkin’s disease and the treatment does no good, Raoul believes she has the malady of love. Is there a cure?