A young gangster and his uncle attempt to outwit the head of a crime family that deals hard drugs.
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Since they were both five, Ryosuke has been stalked by Momoko – the ugliest girl in the village. Her love for Ryosuke is so boundless that she has her face surgically altered to suit his taste – but still he wants nothing to do with her. Ryosuke goes in for fleeting romance – for example, with the girlfriend of a gangster boss. But when he finds out about their affair, he has Ryosuke’s little finger hacked off. Magically, the finger falls into Momoko’s hands, and she uses it to clone Ryosuke, so she can finally have him (or almost him) for herself. And this is just the first five minutes of Lisa Takeba’s short-but-powerful feature debut. Just like in her previous short films, the director – who cut her teeth in the advertising world and as the writer of a video game – throws a lot of genres and techniques into the mix: from science fiction to gangster films, from hospital eroticism to animation. Hectic and absurd, but with its heart in the right place. © IFFR
A group of Finnish and British people get stuck to a cabin when a creature which is a half human, half rabbit, attacks on them. The creature is Bunny the Killer Thing, and it is after anything that is resembling female genitals.
Abandoned in the barren wasteland of Kyoto, a savage, enraged orphan does whatever it takes to survive in the wild. When he crosses paths with civilization, he must learn to tame the beast within.
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Erstwhile C.I.A. assassin Richard Malone hopes for a tranquil retirement in the placid Pacific Northwest, but what he gets is a rumble with a right-wing extremist plotting a secret revolution. Adapted from the novel “Shotgun,” by William Wingate.
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