Psychologist Eliska contacts musician Martin with a request for him to perform at an event on mental disorders. Their intense relationship ends with Eliska’s suicide, which will resolve long-lasting pain without cause. She flew through Martin’s life like a spaceship. She left clothes, things, a farewell letter. But also memories, dreams and eternal encouragement to play. She’s still with Martin. Like a memoir, as a gratitude for the experience, like a muse.
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In the early 1920s, a Kansas woman finds her life forever changed when she accompanies a young dancer on her fame-seeking journey to New York City.
A woman named Amanda lies stricken, far from home. A young boy named David questions her, trying to make her remember. She’s not his mother, he’s not her son. As her time is running out, he helps her unravel a powerful, haunting story of obsessive jealousy, an invisible danger, and the power of a mother’s love for her child.
Based on Aileen Wuornos’s early life, America’s most notorious female serial killer, who went on a killing spree in Florida in 1989 and 1990. What few people know, is that back in 1976 a young and beautiful Aileen Wuornos arrived in Florida searching for a new life that would help her escape her tragic past, married a wealthy Yacht Club President and had the chance to start again as part of Florida’s high society….or did she?
Set within music field, this film depicts a love story between a 25-year-old sound engineer and 16-year-old high school student Riko, who posessess a gifted voice. 25-year-old sound engineer Aki is a member of popular band “Crude Play,” but right after the band decides to make their major record debut Aki quits the band. But, Aki provides his music to Crude Play under the name of producer Soichiro. Aki begins to date Riko, whose father runs a fruit and vegetable shop. Riko doesn’t know about Aki’s background, but she likes to listen to him hum. Riko is in a band herself, with childhood friend Yuichi and Sota. One day she is scouted by producer Soichiro.
In this true story told through flashbacks, Christy Brown is born with crippling cerebral palsy into a poor, working-class Irish family. Able only to control movement in his left foot and to speak in guttural sounds, he is mistakenly believed to be retarded for the first ten years of his life.
Having thought that monogamy was never possible, a commitment-phobic career woman may have to face her fears when she meets a good guy.
A real estate agent helps a prince who keeps his identity a secret buy property in his magical seaside hometown. After seeing the houses and spending time together, they become friends and then team up to stop the rebuilding of the town’s port. But will the prince’s true identity prevent a romance between them?
Three reunited sisters discover their late father planned one last scavenger hunt – an annual holiday tradition when they were young. As their sisterly bond gets rekindled, they soon learn important lessons about what they want in life and in love.
Haunted by the fact that he left a man behind in Afghanistan, a soldier (Bacic) pulls together a special task force to save his comrade.
Jenny (Lynn Chen, Saving Face, Go Back To China), a Los Angeles mom, leaves her family for a blogger convention in Vegas, and accidentally chooses “pool” on her rideshare app, placing her in a car full of strangers including struggling activist Kara (Dreama Walker, Once Upon a Time in Hollywood, Gran Torino), heartbroken talent agent Sean (Jonathan Lipnicki, The Resident, Jerry Maguire) on a quest to find Dawn (Taryn Manning, Orange is the New Black, Hustle and Flow), and their hipster/anarchist/shaman driver, Marc (Jordan Carlos, First Wives Club, Broad City). Personalities clash, vulnerabilities unwind, and bonds form as they each find their own personal Paradise. Full of humor, heart, pathos and a psilocybin drug trip in Death Valley, Jentis’ script is a relatable millennial road trip rom-com perfect for summer.
Tender and erotic love story of a respectable bourgeois housewife and a large black Alsatian dog. Shot in 1977, the film employs bestiality as a symbol of Spain’s political landscape. It makes references to the massacre of Atocha and to political right wing groups that, after the death of Francisco Franco, tried to maintain the dictator’s political ideals.
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