Charles Hilary is in love with Kathy Forrester, a beautiful television personality, but is married to Louise, an alcoholic with as many lovers as whisky bottles. His pleas for a divorce are met with threats and abuse. “You’ll have to murder me first”, Louise tells him and three hours later she is found dead, shot with her husband’s pistol. When Charles is arrested, Kathy desperately sets to work to prove his innocence.
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When Andreas arrives in the remote valley in the Austrian Alps, he is only about four years old – nobody knows for sure. He grows up to become a skilled farmhand and, as a young man, joins a work crew that builds one of the first mountain railroads, bringing light and noise to the valley along with electricity. He also finds the love of his life in Marie, but their happiness is short-lived. Only many years later, when Andreas embarks on his final journey, she is with him once again. And in amazement Andreas looks back at all the years that lie behind him.
Chen is a city boy who moves with his cousins to work at an ice factory. He does this with a family promise never to get involved in any fight. However, when members of his family begin disappearing after meeting the management of the factory, the resulting mystery and pressures force him to break that vow and take on the villainy of the Big Boss.
Sheridan O’Connor and Riccardo Rossi were destined to meet on the set of their first big movie together when barely out of their teens. What they didn’t know was that their on-screen chemistry would translate into a hot and heavy off-screen romance destined only for disaster. Now, living continents apart and a lifetime later, expecting their paths never to cross again, they are thrown back together to star in an updated version of their original film. The studio has high hopes that they will be able to attract the same audience who loved them the first time around. But working together again could demand greater acting skills than either ever imagined: long hours filming awkward romantic scenes, reliving the past and coming face to face with what fate has in store for them. Only slightly shaken and gently stirred by family and friends, Sheridan and Riccardo must find a way to make the perfect martini out of life so as not to waste a single drop of happiness.
This gripping historical drama recounts the story of Armenian-born Missak Manouchian, a woodworker and political activist who led an immigrant laborer division of the Parisian Resistance on 30 operations against the Nazis in 1943. The Nazis branded the group an Army of Crime, an anti-immigrant propaganda stunt that backfired as the team’s members became martyrs for the Resistance.
Carla is pregnant and naked, imitating the poses her mother took when she was pregnant with her. Sunlight filters through the windows. You see pictures in Super-8 of mothers and fathers, grandmothers and grandfathers, smiling, sewing, reciting poems. Then, a young girl travels from the Sixties to the Eighties, until today, crossing the thresholds of femininity and history, until the meeting with Carla by the Blue Sea of Catalonia and with Manel, Carla’s newborn son.
Four short films by four different directors dealing with the principles of modern life.
A husband and wife’s pet peeves and minor irritations escalate into major rifts and animosity.
Different struggles of identity that take place at a cake factory in the outskirts of Denmark show that the best things in life are the ones least expected.
Tommy, a dogged lab tech of industrial food who, though once known in the business as “The Apostate”, seems to have rededicated himself to producing scientifically engineered meat. A film about a dystopian future rife with genetic engineering, corporate corruption of government and rampant infection, is really about Tommy’s loneliness and the at-home experiment he conducts.
The story is about an elderly Chinese tai chi chuan teacher and grandfather who emigrates from Beijing to live with his son, American daughter-in-law, and grandson in a New York City suburb. The grandfather is increasingly distanced from the family as a “fish out of water” in Western culture.
