A boy (Billy Mauch) and his gang catch bank robbers using their clubhouse as a hide-out.

A husband and wife struggle with their consciences after they try to conceal a terrible crime committed by their teenage daughter.

Aurora Teagarden’s post-college days when she finds herself back home in Lawrenceton. While her mother, Aida, struggles to keep her newfound real estate business, Aurora supports herself by working as a teacher’s assistant in a crime fiction class, and waitresses at the local diner at night, where she shares her love of researching true crime with her friend Sally and police officer Arthur. When Sally’s fiancé doesn’t show up at their wedding rehearsal, Maid of Honor Aurora gets Arthur to help her search for him. When they discover a body, everyone assumes it is Sally’s tardy groom, but when it turns out to be someone else, Sally’s fiancé becomes the main suspect.

Detective – turned – bodyguard Cynthia McKay (Cynthia Rothrock) is hired by a psychotic icy seductress, Nina Lindell (Lydie Denier), the same woman who killed Mckay’s lover months earlier. With vendetta in her heart McKay accompanies the flamboyantly playful womanizer through the glamourous world of the super-rich as his protector. In a unique role reversal, it is the woman protecting the man from another woman, erupting into a deadly triangle of passion, suspense and action.

Condamné pour un crime qui n’était, selon lui, qu’un accident, Constant réussit à s’évader de la prison où il purge sa peine… Après une fuite aveugle, livré à tous les hasards, Constant finit par échouer dans un coin perdu, près des berges désertes d’un canal…. Se cachant sur une péniche à l’abandon, Constant tente de reprendre son souffle, accalmie de courte durée… Dès l’aube, Sylvia une pétillante jeune femme qui a reconnu l’homme traqué, lui propose un implacable marché : assassiner (puisqu’elle le pense être un tueur professionnel) Jeanne, sa mère adoptive sinon elle le dénonce à la police ! Piégé, Constant ne peut qu’accepter cette périlleuse ” mission “. Mais bien loin de tuer Jeanne, Constant la sauve d’un suicide annoncé.

Colm is in his mid-forties, married, with two teenage children. Still grieving the death of his father, a destructive figure in his life, Colm struggles with his relationship to his own son, whilst at work a recent takeover threatens his job. Unable to share his vulnerability with his wife, Colm’s world is falling apart around him. In the midst of this crisis, Colm solicits sex from a young man called Jay. This encounter and his growing infatuation has a deep effect on Colm. He finds a comfort in Jay that no one else can provide.

Jenna, a former professional dancer, uses ballet to help a hockey player get back on the ice.

Two young women from very different backgrounds journey into the countryside seeking respite from unsatisfactory lives and relationships, but ultimately find that there is no way back to the world they once knew.

Early 20th century England: while toasting his daughter Catherine’s engagement, Arthur Winslow learns the royal naval academy expelled his 14-year-old son, Ronnie, for stealing five shillings. Father asks son if it is true; when the lad denies it, Arthur risks fortune, health, domestic peace, and Catherine’s prospects to pursue justice.

When Jonas loses his job at a Hamburg startup company, he doesn’t have the heart to tell his girlfriend Katharina, as her nerves are already on the edge with her final law exams coming up. Every morning he leaves their flat and drift aimless through the metropole on endless underground rides. After a chance meeting with his former boss Marc, Jonas starts to observe the young manager. His curiosity gradually turns into obsession, small and bigger everyday lies become a kind of survival strategy for Jonas. While Katharina notices his increasingly odd behavior, Jonas is losing control over events more and more. Flood deals with feelings of powerlessness of the individual facing a growing competitive and performance pressure. The fear of failing in a perceived competition of life kicks off a spiral of wrong decisions, with no apparent way out. Georg Pelzer’s debut was shot basing on a 20-page plot description, dialogues and actions where improvised with the actors on location.

Although Parsha is the cricket team captain and the brightest student in his year, the beautiful and confident Aarchi is out of his reach. She belongs to a higher caste, her family is rich, and her father is a kingpin in local politics. But Aarchi is a headstrong girl who won’t let anyone boss her around – and she likes the persistent, brave Parsha. How will their families react? What happens to love when when two people have to sacrifice everything for it? Beyond the glamour of Bollywood, Sairat is an epic love story that takes a critical look at Indian society in the 21st century.

Stevie is a sweet 13-year-old about to explode. His mom is loving and attentive, but a little too forthcoming about her romantic life. His big brother is a taciturn and violent bully. So Stevie searches his working-class Los Angeles suburb for somewhere to belong. He finds it at the Motor Avenue skate shop.