From 1928 to 1946, the lives of 12 young people and their school teacher in a poor Japanese village are profoundly affected by historical events and personal circumstances.
You May Also Like
Writer and filmmaker Llorente’s homeland becomes the focus of a simmering drama played out amongst the beaches, squares and lush green mountains of this north-western province of Spain. The action follows Marta as she swaps her busy life in Madrid with boyfriend Leo for a trip back to her hometown for the summer. With naturalistic settings, minimal dialogue and lingering shots, the director highlights the contrast between real life and the carefree pace of the holidays. As the summer progresses, a relationship from her past causes confusion and she’s forced to choose between the innocence and freedom of her youth and the grown-up world with all its routines and responsibilities.
The movie begins as an old English woman Amy Wilkinson (Carole Trungmar) almost at her death bed in London, wants to come down to Chennai in search of a young man Parithi (Arya) whom she last saw on 15 August, 1947 to return Thali necklace (sacred thread tied around the neck of the bride by her groom) of his mother, which he gives as a sign of stating that she belongs to India and nobody can separate them. She wants to return that back to him, as she gets married to other man in her home town and it no more belongs to her.
Summer 1962 and Olli Mäki has a shot at the world championship title in featherweight boxing. From the Finnish countryside to the bright lights of Helsinki, everything has been prepared for his fame and fortune. All Olli has to do is lose weight and concentrate. But there is a problem – he has fallen in love with Raija.
Uzak/Distant chronicles the numbing loneliness, longing, and isolation in the lives of two men who are consumed by their own problems. Istanbul photographer Mahmut reluctantly receives his relative Yusuf, but the mingling of their lives does little to alleviate their detachment.
Sukri and Surti had to return to Cibeureum because Sukri’s father died. However, after the funeral, Sukri’s family could not immediately return to Jakarta, because his mother was involved in a criminal case. Meanwhile, their two children, Bayu and Gerhana, are starting to feel comfortable because they have met extraordinary new friends, Cempaka and Sangaji, go on an adventure to help solve the family’s problems in an unexpected way. The sense of family is tested in the face of challenging situations.
After a particularly embarrassing performance, a struggling Polish actor chooses to quit his acting troupe. In desperation, he returns home, only to find his dying mother has replaced him with a farm hand from a nearby mental institution. Alienated and depressed, he attempts to find his place in the world by driving out his replacement as completely as possible.
Angel, a university student who doesn’t like getting into troubles. Jorge, a ministerial police officer, returns to work after a time of absence due to a personal loss. Their paths are crossed in the violence of the night.
A desperate man places a bizarre classified ad to end his life, but a strange turn of events occurs when an aimless girl decides to answer. As their lives collide, they realize the smallest choices can be the difference between life and death.
After the mayor of an idyllic island village discovers a child with mysterious powers awash on their shores, the once peaceful community devolves into civil war, torn over the belief that the child is the next saviour.
Sex is power, and Waseem, a Syrian gay-for-pay hustler seeking asylum in Cologne, wields it like a shield. Keeping his johns at an emotional arm’s length while satisfying their most carnal desires in order to eke out a living, he meets his match in Lars: a kind, affluent professional with a growing personal interest in Waseem. This gripping tale of transactional identity explores the tactical exchange of trust and intimacy in a partnership, and the divisions between immigrants and their host countries in contemporary Europe.
