Discover how television has reflected the African American experience in this retrospective of the medium’s first half-century. Actors, writers and historians discuss the image of black America on television from Amos and Andy to the present day. The interviews accompany clips from groundbreaking shows and performances by entertainment pioneers that create a timeline of the portrayal of African Americans throughout TV history.
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One of the first sociological and ethnographic documentary films worldwide, made by the team of sociologists and students of Professor Dimitrie Gusti (1880-1955) in the village of Drăguş, Făgăraş County, Romania.
A hilarious introduction, using as examples some of the best films ever made, to some of Slovenian philosopher and psychoanalyst Slavoj Žižek’s most exciting ideas on personal subjectivity, fantasy and reality, desire and sexuality.
Recalls the day when Holocaust survivors took their first steps into freedom, unaware of their future. Every Face Has a Name puts a name on those nameless faces and lets them recount their feelings of that day, the 28th of April, 1945.
Ming of Harlem: Twenty One Storeys in the Air is an only-in-New-York account of Ming, Al, and Antoine Yates, who cohabited in a high-rise social housing apartment at Drew-Hamilton complex in Harlem for several years until 2003, when news of their dwelling caused a public outcry and collective outpouring of disbelief. On the discovery that Ming was a 500-pound pound Tiger and Al a seven-foot alligator, their story took on an astonishing dimension. The film frames Yates’s recollections with a poetic study of Ming and Al, the predators’ presence combined with a text by philosopher Jean-Luc Nancy, reimagining the circumstances of the wild inside, animal names, strange territories, and human-animal relations.
A celebratory exploration of the boisterous times of Freaknik, the iconic Atlanta street party that drew hundreds of thousands of people in the 80s and 90s, helping put Atlanta on the map culturally.
A Vice documentary look into Vince McMahon’s role in the world of wrestling.
A documentary that paints a remarkable picture of America and how the rise of civic and economic reinvention is transforming small cities and towns across the country. Based on journalists James and Deborah Fallows’ book Our Towns: A 100,000-Mile Journey into the Heart of America, the film spotlights local initiatives and explores how a sense of community and common language of change can help people and towns find a different path to the future.
Class 172 is a key class for their excellent students of an ordinary secondary school in Hunan province, from which the kids’ main goal is to upgrade into one of the best province-level high school – No.1 high school of the county. In the recent few years, the school’s enrollment rate to high school was not quite satisfying, and this year, the newly promoted class in charge teacher – Mr. Xiang, who’s only graduated a few years ago, became their brightest hope to teach the students and raise the enrollment rate for school.
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On 6 March 1906, four men were executed for the attempted murder of Colombian president Rafael Reyes. The event was photographed, and the photos were later used for a fictionalised film on the failed coup. From then on, cinema in this South American country has been inextricably linked to its violent history. Moving images have been used for historiography, propaganda, disinformation and to instil unity in a nation that refuses to come together. Falsos positivos, murdered youths disguised as guerrillas by the army to simulate military success, are a common element.
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Daily life at Iran’s second biggest zoo is interrupted when Mohsen, the head keeper, takes Maya, his 4 year old Bengal tiger, to perform in a fiction film in the north of the country by the Caspian Sea which was once home to the now extinct caspian tiger. In between filming, Mohsen lets Maya off the leash and allows her to roam in this sparsely populated landscape – she is the first ‘free’ tiger in Iran in over 60 years. But instead of the perfect experience of the wild that Mohsen hopes it to be, the trip kickstarts a series of events that mark the end of Mohsen and Maya’s relationship and in the process reveals a much darker and more complex side to Mohsen and the Zoo in which Maya and the other animals are kept.