Gentrification and displacement are affecting all big cities throughout the world, but none more egregiously than my hometown of New York City. As a Native New Yorker, I am disturbed to see my beloved hometown become a haven for the wealthy when it was once a city that valued culture and community over money. Before Covid happened, the sky seemed to be the limit for corporate greed and that is when I started making this film. I chose specifically to focus on two lower-class neighborhoods that are in peril- Queens and the Lower East Side. In documenting these neighborhoods under threat, I met local activists whose lives centered around maintaining the ethos of their community.

Theatre of War is an essay on how to represent war, performed by former enemies. British and Argentinian veterans of the Falklands war come together to discuss, rehearse and re-enact their memories 35 years after the conflict.

Working from the text of James Baldwin’s unfinished final novel, director Raoul Peck creates a meditation on what it means to be Black in the United States.

Medical doctors and mental health professionals go on camera, on the record, for the record, for a discussion, analysis, and science-based examination of the behavior, psyche, condition, and stability of President Donald Trump. Also examines Trump’s effect on our citizenry, culture, and institutions.

The story of Princess Dianaandapos;s death is one of the most well-told stories in history, but one half of that story is missing. This feature documentary reveals the life and legacy of the other passenger in the car, Dodi Fayed.

In 1993, Sam Fuller takes Jim Jarmusch on a trip into Brazil’s Mato Grosso, up the River Araguaia to the village of Santa Isabel Do Morro, where 40 years before, Zanuck had sent Fuller to scout a location and write a script for a movie based on a tigrero, a jaguar hunter. Sam hopes to find people who remember him, and he takes film he shot in 1954. He’s Rip Van Winkle, and, indeed, a great deal changed in the village. There are televisions, watches, and brick houses. But, the same Karajá culture awaits as well. He gathers the villagers to show his old film footage, and people recognize friends and relatives, thanking Fuller for momentarily bringing them back to life.

A lyrical and spiritual cinematic essay on The Exorcist, the last film of Alexandre O. Philippe explores the uncharted depths of William Friedkin’s mind’s eye, the nuances of his filmmaking process, and the mysteries of faith and fate that have shaped his life and filmography.

Comedian Adrienne Iapalucci takes aim at our public figures, awkward tribute tattoos, virtue signaling and more in this unfiltered stand-up special.

A documentary covering the 1994 Olympic Games in Lillehammer.

Stephen Hawking has warned that the creation of powerful artificial intelligence will be “either the best, or the worst thing, ever to happen to humanity”. Inspired by Brian Christian’s study The Most Human Human: What Artificial Intelligence Teaches Us About Being Alive, the filmmakers set out on an international investigation highlighting the effects of AI – scenes from our daily lives destructive and constructive.

Bright Sun Films’ Jake Williams makes his feature debut with this documentary about the infamous Six Flags New Orleans, which was devastated by Hurricane Katrina, and has become a holy grail of sorts for urban exploration.

Harold Russell, an American soldier who lost his hands in a training accident, tells the story of his medical rehabilitation at Walter Reed Army Medical Center in Washington DC, how he and his fellow amputees at the hospital at first despaired and then found new hope in the prostheses and training available to amputees through the Army’s medical corps. Russell learns to wear and to operate the hooks which replace his hands and becomes competent to perform many tasks he had once thought no longer possible. Discharged from the Army, he is welcomed into Boston College by college president William J. Murphy, S.J.