A troubled man survives a suicide attempt. He calls an old friend to rescue him in the middle of the night. Their journey is just beginning, and by daybreak, a tragedy will surface.
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The action takes place shortly after the end of the Second World War in the Siberian hinterland, among Russians and Germans with damaged personal stories and a strange transformation: the victors seem to be crawling into the skins of the defeated, and vice versa. Ignat, is the embodiment of the larger-than-life image of the Soviet victorious warrior who, in fact, proves to be shell-shocked, sick and broken, although not completely destroyed. Trains become fetish for the heroes of the film, and speed becomes a mania; they virtually become one with their steam engines, while the machines take on human names. The heroes set up an almost fatal race in the Siberian forest, risking their own lives and those of others.
Pickle is a night security guard at a bronze statue factory. His colleague, Belly Bottom, works as a recycling collector during the day, and Pickle’s biggest pleasure in life is flicking through the porn magazines Belly Bottom collects in the small hours in the security room. Having late night snacks and watching television are an integral part of their dull lives. One day when the television is broken, their lives are changed forever. The story involves gods, the middle-aged men’s sexual desire and the conversation between ghosts and humans. Maybe the audience will find it preposterous, but isn’t life itself a farce?
Unsatisfied with a past mistake, Chandler returns home to Columbia, South Carolina to set things right. Instead, he finds himself on a late-night odyssey of binge-drinking and bar-hopping with buddies Ty and Jules.
A young samurai, Shojuro Sako, travels on the Tokaido to Edo with his two servants, Genta and Gonpachi. Gonpachi has been told by Shojuro’s mother to prevent his Master from drinking… The road is not safe. On the way, they meet young orphan boy, Jiro, and many other travellers: A team of great directors, including Yasujrio Ozu, Hirochi Shimizu and Daisuko Ito, assisted Uchida with his remarkable post-war comeback film. It’s an affable samurai road movie with a focus on unglamorus characters, as a dim-witted samurai and his servants traverse the Tokaido highway. Much of the film is played as comedy, making the brilliantly staged violent climax all the more shocking.
On the edge of revolutionary change at their all boys private high school, three friends set out to have one last great weekend while dodging authority, love affairs and violent foes in the longest weekend of their lives.
Grand Prix driver Pete Aron is fired by his team after a crash at Monaco that injures his teammate, Scott Stoddard. While Stoddard struggles to recover, Aron begins to drive for another team, and starts dating Stoddard’s wife.
Chak De! India follows a team of rag-tag girls with their own agenda who form Team India competing for international fame in field hockey. Their coach, the ex-men’s Indian National team captain, returns from a life of shame after being unjustly accused of match fixing in his last match. Can he give the girls the motivation required to win, while dealing with the shadows of his own past?
Hitting rock bottom, an aging boxer’s rivalry within himself restores his vitality with hopes of retraining to fight for what matters most.
Elsa and Clive, two young rebellious scientists, defy legal and ethical boundaries and forge ahead with a dangerous experiment: splicing together human and animal DNA to create a new organism. Named “Dren”, the creature rapidly develops from a deformed female infant into a beautiful but dangerous winged human-chimera, who forges a bond with both of her creators – only to have that bond turn deadly.
