Childhood friends Tracy, Chloe and Alice share an apartment over the summer. They live close together, meet guys and sell their company as well as sex. With a romantic imagery and sometimes provocative theme the female debutant director Luk Yee-sum give the audience a playful story about sexuality, desire and friendship.
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The story of California’s first openly gay elected official, Harvey Milk, who became an outspoken agent for change, seeking equal rights and opportunities for all. His great love for the city and its people brought him backing from young and old, straight and gay, alike – at a time when prejudice and violence against gays was openly accepted as the norm.
Manu is released from prison and strives to rekindle his love with Priya.
Tenn Kong-Hui is a private eye. Kong-Hui’s ex-lover, Tai-Giok is a personal assistant to a steel company’s chairman. By spying on Tai-Giok, KongHui discovers many dirty secrets of the people who work at the steel company and decides to blackmail each one of them. When Kong-Hui is found dead in his apartment one day, the police detective has identified five suspects. However, as the detective digs further into their stories, he finds that all of them have alibis. Just when the investigation seems to hit a dead end, a sixth suspect suddenly emerges…
A moral conflict between a young assistant and an associate professor arises during a university linguistics camp.
Two brilliant, but dull, scientists set out to invent a love potion, but failing in that they attempt to create the ultimate artificial woman with stunning results. Only problem is their new creation only has eyes, and lust, for busty next door neighbor.
Three narratives (“Cutting Moments,” “Home” and “Prologue”) combine to create a shocking trilogy of modern American life, a portrait drawn with brushstrokes of hidden violence and disturbing cruelty. Directed by Douglas Buck, this unflinching film reveals what lies behind the drawn curtains of so-called “ordinary” households.
Cheated on, mistreated and stepped on, the women are holding their breath, waiting for the elusive “good man” to break a string of less-than-stellar lovers. Friends and confidants Vannah, Bernie, Glo and Robin talk it all out, determined to find a better way to breathe.
In 1930s Australia, Anglican clergyman Anthony Campion and his prim wife, Estella, are asked to visit noted painter Norman Lindsay, whose planned contribution to an international art exhibit is considered blasphemous. While Campion and Lindsay debate, Estella finds herself drawn to the three beautiful models sitting for the painter’s current work, freethinking Sheela, sensual Pru and virginal Giddy.
Everyone knows everyone in the southern town of Baymont. So when tattooed, sweet-talking Josie struts into town, heads turn. Striking up relationships with young punk Gator and loner Hank, she quickly becomes a hot topic of local gossip.
Across the Line (2000) is a truthful representation of both hope and corruption, focusing on critical events transpiring at America’s border with Mexico and known both to those who live on the “line” (physical and metaphorical) and to those with the courage to cross it. Further it is a fine example of the filmmaker’s art, featuring convincing portrayals underpinned by a convincing script and the directorial talent of Martin Spottl.
When Myriam, the mother of two young children, decides, despite the reluctance of her husband to resume his activity in a law firm, the couple is looking for a nanny. After a severe casting, they engage Louise, who quickly conquers the affection of children and gradually occupies a central place in the home. Gradually the trap of mutual dependence will close, until the tragedy.