Mads moves into a house with his lovely girlfriend Marie when a sudden pang of doubt strikes him. Is this the meaning of life? Has he lived out all his dreams? He drops everything, moves away from his girlfriend and throws himself into a desperate quest to live out his greatest dreams; a quest to find the meaning of life and the one and only.
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“The Antman” is a lovingly-made but sluggish monster-movie parody, done with German-speaking actors on a sparse soundstage standing in for 1950s Mexico. Promising concept is bolstered by colorful performances by Gotz Otto and Lars Rudolph, and the filmmakers have fun with pic’s look, right down to tacky lighting worthy of Roger Corman. But Marc Meyer’s script isn’t fast or funny enough to keep pace with energetic visuals. The first in a projected series of B-movie homages grouped as “Planet B,” the producers might want to call in Joe Dante to supervise the rest, as “Antman” seems unlikely to crawl very far beyond its native borders
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