Mickey Ferrera’s recording producing career is going down the tubes, his estranged wife wants a divorce and his son is struggling with the reality that he is gay, but Mickey is a warrior, so he’s about to get in the trenches and Trust in Love to keep his family together and maybe make one more good record.
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When barbarian hordes threaten her homeland, the brave and cunning Mulan disguises herself as a male soldier to swell the ranks in her aging father’s stead. The warrior’s remarkable courage drives her through powerful battle scenes and brutal wartime strategy. Mulan loses dear friends to the enemy’s blade as she rises to become one of her country’s most valuable leaders — but can she win the war before her secret is exposed?
During a trip to Rome, a debauched Shakespearian actor is tormented by fans, the press, the Italian film industry and the Devil – who appears as a little girl seeking to collect his head.
Jewish aesthete Cioma, 21, does not let anyone take away his joy of life, especially not the Nazis. In 1942, he has to find new ways to make his living in Berlin and escape deportation. In the process he discovers his talent for forgery: not only with passports, but also his own identity.
Based on the John Irving novel, this film chronicles the life of T S Garp, and his mother, Jenny. Whilst Garp sees himself as a “serious” writer, Jenny writes a feminist manifesto at an opportune time, and finds herself as a magnet for all manner of distressed women.
A cab driver, a teahouse owner and an out-of-work journalist live in a down-at-heel suburb of Ankara. When the driver tells his friends tales of the murky and unlawful dealings of his passengers, they install a camera to record the passengers.
Ten short pieces directed by ten different directors, including Ken Russell, Jean-Luc Godard, Robert Altman, Bruce Beresford, and Nicolas Roeg. Each short uses an aria as soundtrack/sound (Vivaldi, Bach, Wagner), and is an interpretation of the particular aria.
When Elizabeth returns to her mother’s home after her marriage breaks up, she recreates her imaginary childhood friend, Fred, to escape from the trauma of losing her husband and her job. In between the chaos and mayhem that Fred creates, Elizabeth attempts to win back her husband and return to normality.
Entirely shot on green screen, Shakespeare’s Macbeth has been reinvented by director Kit Monkman (The Knife That Killed Me) in an exciting new film adaptation. Starring Mark Rowley, (The Last Kingdom, Luther). Monkman’s unique adaptation successfully bridges the gap between theatre and film to create a wholly new type of imaginative space. This radical new adaptation puts the audience’s engagement with the story centre-stage, amplifying the theatrical context of the original and creating truly innovative and thrilling cinematic vistas, whilst maintaining the language and themes of Shakespeare’s original play. Using background matte painting and computer modelling to generate the world in which the action plays out, the green screen allows Monkman to create his vision of a multi-tiered globe in which the characters play out their various fates.
On the eve of his wedding, on holiday on the Lake Annecy shore, a career diplomat visits an old acquaintance, perhaps a former girlfriend. Through her he meets an intense teenager, Laura, and then lusts after her sister, Claire. Whilst Laura attempts to flirt with him, his fantasy becomes focused on wanting to caress Claire’s knee.
The movie centers on a piano competition whose winner is assured of success. It is Paul’s last chance to compete, but newcomer Heidi may be a better pianist. Can romance be far away? Will she take a dive despite the pressure to win from her teacher, Greta, or will she condemn Paul to obscurity?
