Joel Gilbert’s directing style is on full display here with a vapid look at how Donald Trump dominated the 2016 race, using The Art of the Insult to brand political opponents and bash the media all the way to the White House.
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Bronx rap artist Kemba explores the growing weaponization of rap lyrics in the United States criminal justice system and abroad — revealing how law enforcement has quietly used artistic creation as evidence in criminal cases for decades.
A portrait of the day-to-day operations of the National Gallery of London, that reveals the role of the employees and the experiences of the Gallery’s visitors. The film portrays the role of the curators and conservators; the education, scientific, and conservation departments; and the audience of all kinds of people who come to experience it.
Eddie Griffin proves once more that he’s one of the world’s premiere comedic talents in his brand-new stand-up special You Can Tell ‘Em I Said It. Eddie unapologetically rips into everything from racial stereotypes to Viagra to the First Lady and will leave you gasping for air as he buzzes around the stage and literally climbs the walls. This uncut, uncensored stand-up special live from Oakland, California will keep you laughing long after he exits the stage and coming back to watch it again and again.
Fela Anikulapo Kuti created the musical movement Afrobeat and used it as a political forum to oppose the Nigerian dictatorship and advocate for the rights of oppressed people. This is the story of his life, music, and political importance.
Daniel Tosh is brutally honest in his newest stand-up special filmed at the Wilshire Ebell Theatre in Los Angeles. The comedian takes piercing shots at everyone, including couples who can’t conceive, parents of sick children, hoarders, marathoners, and his fans.
An intimate portrait of Alabama public interest attorney Bryan Stevenson, founder and executive director of the Equal Justice Initiative, who for more than three decades has advocated on behalf of the poor, the incarcerated and the condemned, seeking to eradicate racial discrimination in the criminal justice system.
A young film director returns to Venezuela, inspired to make a film based on his father’s life in the Amazon jungle (La Fortaleza, Jorge Thielen Armand). He casts Father to play himself. What starts as an act of love and ambition — filmmaking to more deeply understand the self, and the other — spirals into a process which confronts Father’s struggles with addiction and his life devoid of his son. EL FATHER PLAYS HIMSELF holds a steady lens to the way the act of cinema unearths, binds, heals and destroys.
Their loved ones were murdered on 9/11. Twenty years later, they are still fighting for the truth.
In 2010, the media branded a platoon of U.S. Army infantry soldiers “The Kill Team” following reports of its killing for sport in Afghanistan. Now, one of the accused must fight the government he defended on the battlefield, while grappling with his own role in the alleged murders. Dan Krauss’s absorbing documentary examines the stories of four men implicated in heinous war crimes in a stark reminder that, in war, innocence may be relative to the insanity around you.
The triumphs and challenges of Negro League baseball in the early 20th century. Through rare footage and interviews with iconic players like Satchel Paige and Buck O’Neil, as well as Hall of Famers Willie Mays and Hank Aaron, the film highlights the league’s pivotal role in Black communities and the impact of integration.
‘National Anthem Girl’ tells the story of Long Island native, Janine Stange, who, in 2014, became the first person in U.S. history to perform The Star Spangled Banner in all 50 states.
A behind the scenes look into George Romero’s groundbreaking horror classic Night of the Living Dead