A hard-nosed cop reluctantly teams up with a wise-cracking criminal temporarily paroled to him, in order to track down a killer.

A loser of a crook and his wife strike it rich when a botched bank job’s cover business becomes a spectacular success.

Salem’s Lot is a 1979 American television adaptation of the novel of the same name by Stephen King. Directed by Tobe Hooper and starring David Soul and James Mason, the plot revolves around a writer returning to his home town and discovers the citizens are turning into vampires. It combines elements of both the vampire film and haunted house subgenres.

A lawyer finds himself in far over his head when he attempts to get involved in drug trafficking.

The wife of an accused murderer embarks on a dangerous masquerade to find the real culprit behind a dancer’s death.

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The movie centers on two hunters, friends for years and vying for the affections of the same woman, who find themselves on cursed land and keep killing each other and coming back to life.

The daughter of a musical mentor adores a promising composer, who is quite fond of the adolescent. When her father dies, an uncle arrives with his own grown daughter, who begins a romance with the composer which culminates in marriage but creates an emotional rivalry that affects the three.

A group of friends discover an ancient book, the Necronomicon, the Book of the Deads. They discover that the book is a link between our world and the world of ancients creatures, older than our civilizations.

Boston is being terrorized by a series of seemingly random murders of women. Based on the true story, the film follows the investigators path through several leads before introducing the Strangler as a character. It is seen almost exclusively from the point of view of the investigators who have very few clues to build a case upon.

Everyone hates Ward’s wife and wants her dead, Ward (Donald Faison) most of all. But when his friends’ murderous fantasies turn into an (accidental) reality, they have to deal with a whole new set of problems — like how to dispose of the body and still make their 3 p.m. tee time. Scott Foley’s directorial debut, also starring Foley, Patrick Wilson, Amy Acker, and Nicolette Sheridan, is a blackly comic caper about helping a friend out of a bad relationship by any means necessary.

As the coronavirus upends their lives, two detectives doggedly pursue those responsible for an abduction they realize is part of a sinister pattern.