Brad is about to hook up with the girl of his dreams, but runs into a problem, no condom. So Brad sets out into the night to find one, running into many obstacles along the way, while not knowing his best friend, Leah is in love with him.
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Designer Enatsu worries about his sexless life. Office worker Akane is getting ready to return to work while undergoing rehab at home for panic attacks. Elite advertising agent Ikeyama wants to end his relationship with his lover. A shabby man named Kurita appears before all three with a secret.
Musical dancer on the way out (at 36) Paula McFadden had it swell with actor Tony DeSanti, but instead of taking her to Hollywood he gets a European movie part. He even sublets their (his) New York apartment to Elliot Garfield, who generously lets her stay, even keeping the master bedroom. Pragmatic pre-teen daughter Lucy soon takes to his charm, but Paula remains determined to hate all actors. Despite the stress of a Broadway Shakespeare lead he must play too queer for Frisco, he’s determined to snatch romance from ingratitude.
Engaging, emotional and riveting, FAREWELL is an intricate and highly intelligent thriller pulled from the pages of history— about an ordinary man thrust into the biggest theft of Soviet information of the Cold War. Ronald Reagan called this piece of history – largely unknown until now – “one of the most important espionage cases of the 20th century.” FAREWELL begins in 1981, after the Soviet invasion of Afghanistan. A French businessman based in Moscow, Pierre Froment, (Guillaume Canet) makes an unlikely connection with Grigoriev (Emir Kusturica), a senior KGB officer disenchanted with what the Communist ideal has become under Brezhnev. Grigoriev begins passing Froment highly sensitive information about the Soviet spy network in the US.
A father and daughter are caught in a parallel universe where the great queens Snow White, Cinderella, and Little Red Riding Hood have had their kingdoms fragmented by warring trolls, giants and goblins.
Seven women are the only survivors of an Apache attack on a wagon train. They must cross the desert on foot to escape the Indians who are hunting them.
The feature film directing debut of Spike Lee protege Lee Davis takes the viewer into the world of taxi drivers. Developed in the Sundance Laboratory, this film offers dove-tailing stories centering on the lives of individual taxi drivers as they reflect on and experience romance, politics, sociology, and spirituality.
This loosely plotted coming-of-age tale follows the life of 15-year-old Laurent Chevalier as he stumbles his way over the burgeoning swell of adolescence in 1950s France. After having his first sexual experience with a prostitute and dodging the lips of a priest, Chevalier contracts a case of scarlet fever. When the fever leaves him with a heart murmur, Chevalier is placed in a sanatorium, along with his over-attentive and adulterous mother.
A woman sets out a well-intentioned plan of bringing her dysfunctional family together in the wake of the family’s matriarch, her mother-in-law.
Sequel to 77 Heartbreaks, 77 Heartwarmings, sees the return of Charlene Choi as Eva, and Chau Pak-ho as her ex-boyfriend Adam. Although it has been a year since their relationship ended, Adam is still very fond of Eva and hopes to win her back. He comes across an app that teaches him what to do to reignite the passion in Eva. While Adam tries the tips mentioned in the app and gradually bridges the gap between them, Eva meets Thai star Marvel (Mario Maurer), who also vies for Eva’s love.
Oscar and Arthur are two actors without fortune who survive unemployment with a routine street, where one represents the thief and the other to the police. Thanks to this performance are “hired” by Mr. Mauricio Tavares to play a practical joke on dangerous Don Antonio Robledo, a senior executive who suffer a fictional kidnapping for later culminate in a surprise party.
When Hanky Pranky (alias Schucks), star of a candid camera TV show, loses his job to affirmative action, he applies for a job at a stress academy. It´s not long before Schucks discovers his new boss, Jack Paddaman, is as crooked as they come, but it´s too late: the employment contract is signed and sealed.A year passes, and Schucks is no better off. However, his candid camera videos, which poke fun at all sectors of post-1994 South Africa, prove a big hit with stressed-out government ministers. When the president asks Paddaman to make a movie to benefit street children, Schucks and his pals do all the hard work while Paddaman plans how he can get hold of the profits from the video sales. Add a scatterbrained secretary, a lovelorn traffic cop and a cunning street child and you have a roll-in-the aisles comedy with a distinctly South African flavour.