A love story between a man, a woman and his violin through the past and the present. It’s a common story about life, death, passion and transmission. A cinematographic essay at the border of fiction and documentary.
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A man and a woman are brought together by chance for several months. He is younger than she is, married, Russian, officially a diplomat stationed in Paris. She is a beautiful teacher and researcher, with her feet firmly on the ground. The film follows the evolution of their love, from the beginning to end.
Having just moved back to her hometown without her serviceman husband but with her young son, Gretchen Daniels finds her life in disarray as Christmas approaches. But she discovers new purpose when she helps to deliver a message to her neighbor, Melissa, which makes her an ally in the quest to find the neighbor’s sibling she never knew she had. The women become bonded not only by the search, but by the understanding that being there for each other means they’re no longer alone. This friendship becomes the greatest Christmas gift of their lives. Based on a bestselling novel by Donna VanLiere.
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This unique husband and wife duo effect art in motion as they blend the worlds of artistry and athleticism. With ritual body art, The Painted Warrior is brought to life to wage epic battles in the gritty obstacle racing scene.
A military widow (Benz), whose faith in Christmas has lapsed, rents an apartment to a handsome Army Captain, recovering from an injury in battle, and whose faith in Christmas is inspirational. As they team up to save the town’s military museum with a Christmas fundraising event, these two ‘wounded birds’ find themselves falling in love — and being healed by the magic of Christmas.
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Tomas and Martin are a gay couple living in Paris whose marriage is thrown into crisis when Tomas impulsively begins a passionate affair with young schoolteacher Agathe. But when Martin begins an affair of his own, Tomas must confront life decisions he may be unprepared—or unwilling—to deal with.
portrays the Bruder working class family, whom she met during her time as a social worker in the Märkisches Viertel. Equipped with a Super-8 camera by Helga Reidemeister, the family had already begun filming their everyday life independently in the fall of 1969. However, when, together with Reidemeister, they looked through the four-hour material at the editing table in the summer of 1974, they realized that it depicted the family’s problems only superficially and left the social context out of the picture. Reidemeister, who had not yet intervened in the film shooting, then spent a lot of time with the family and documented everyday life together with them. The result was a multi-layered mixture of family self-testimony and reflection on social relationships.
