Filmed for over a decade, MAGICAL UNIVERSE is a portrait of Al Carbee, an 88 year old strange and reclusive outsider artist who spends his days alone in a massive house in Maine creating art — mostly featuring Barbie Dolls in elaborate dioramas. The documentary profiles Carbee’s amazing body of work and his relentlessly creative lifestyle. Carbee’s story is explored through the prism of his unlikely friendship with New York filmmaker Jeremy Workman, who unexpectedly becomes Carbee’s closest friend and only link to the outside world. Far beyond just a portrait of an eccentric, MAGICAL UNIVERSE is about wonder, friendship, and the transcendent power of creativity. Its story culminates with Al Carbee’s greatest triumph as an artist and a man.

Filmmaker Kevin Rafferty takes viewers to 1968 to witness a legendary college football game and meet the people involved, interweaving actual gridiron footage with the players’ own reflections. The names may be familiar (Tommy Lee Jones and friends of Al Gore and George W. Bush are among the interviewees), but their views on the game’s place in the turbulent history of the 1960s college scene add an unexpected dimension.

Watch clowns, acrobats and sword swallowers train and compete for the top prize at the grandest of circus festivals held in Monte Carlo. A FilmBuff Presentation.

In Botswana’s Okavango Delta, an ostracized lioness and her two cubs must fight alone to survive – overcoming all manner of hazards. Their only defense is to escape to Duba Island — and with that, an unknown future. The setting for this epic tale is one of the last regions where lions can live in the wild. Faced with dwindling land and increasing pressure from hunting, lions – like our lone lioness and her cubs – are approaching the brink of extinction.

With his signature circular glasses and mustache, Michael Chow is an exuberant force at the crossroads between eccentricity and sophistication. The famed restaurateur defined “The Moment” with the openings of Mr. Chow, the bustling upscale Chinese eateries that attracted the glitterati of Swingin’ London, 70s Hollywood, and post Studio 54 New York.

IN MY FATHER’S HOUSE explores identity and legacy in the African-American family, as Grammy award-winning rapper Che ‘Rhymefest’ Smith and his long-lost father reconnect and try to build a new future in Chicago’s turbulent South Side. Himself a child of a broken home, Che hasn’t seen his father, Brian, in over 20 years, and presumes him dead. But after buying his father’s childhood home, Che sets out to find him, and learns that his is now a homeless alcoholic living only several blocks away/ The film offers a probing take on memory and identity in a family two generations removed from slavery as it tracks Che and Brian’s shared journey to create a new legacy for themselves, their community and the next generation of family.

Once upon a time, villagers in a tiny hill town in Tuscany came up with a remarkable way to confront their issues: they turned their lives into a play. Every summer, their piazza became their stage and residents of all ages played a part – the role of themselves. Monticchiello’s annual tradition has attracted worldwide attention and kept the town together for 50 years, but with an aging population and a future generation more interested in Facebook than farming, the town’s 50th–anniversary performance just might be its last. SPETTACOLO tells the story of Teatro Povero di Monticchiello, interweaving episodes from its past with its modern-day process as the villagers turn a series of devastating blows into a new play about the end of their world.

The premise behind Better Left Unsaid, lies in the unconfined analysis of the often violent extremism of today’s Western political landscape. As liberal democracy becomes increasingly challenged in the West, we expose the dangerous tactics employed by the radical-left and far-right, alike. In a world where political polarization frames the way in which we live, a new path forward of unity is needed more than ever before. The value of the film lies in its impact, brevity and digestibility – as we confront the philosophical underpinnings of the radical left and their extreme right counterpart.

Russ McKamey is the creator of the world’s “most extreme haunted house” – McKamey Manor. He is also a manipulative abuser, according to three people who realize the horror is never over once you decide to enter the Manor.

With wit, satire, and historical context, Former NATO Supreme Allied Commander, General Wesley Clark and his son Wes Clark Jr. take us on a journey through the financial circulatory system connecting farmers, homeowners, bankers, academics, and business professionals in a tale that explains the knot of economic forces that can lead to collapse and how to untie it.

Photographer Estevan Oriol and artist Mister Cartoon turned their Chicano roots into gritty art, impacting street culture, hip hop and beyond.

Tethered addresses the current landscape concerning the well being of all of us, as it is in current crisis due to our digital addictions and screen dependency.