“Say goodnight to the bad guys” picks up where “A Sh*t river runs through it” left off. it’s a year after the events of A.S.R.R.T.I and Ricky, Julian, and bubbles are rich with cash, but Julian sits on the money for a year claiming “movies like casino prove that waving money around right away is a bad idea.” and then hides it in his newly purchased Delorean (AKA car from back to the future)
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Suspension from school, the loss of a friend, a broken heart and lack of inspiration lead to Maude’s downfall in this romp through teenage error. Your teenage years are never easy… but for Maude, things couldn’t be worse. Within one week, she is suspended from school, stranded by her best friend, dumped by the boy she loved and inherits an enormous amount of money with the passing of her grandmother– only to be claimed under one condition: Maude must prove by age 18 that she knows exactly what to do with her life. But with her 18th birthday rapidly approaching, Maude must dive into a world of self-discovery or else lose the inheritance.
Peter Greenaway’s first fiction feature (after the mock-documentary The Falls) made him immediately famous and was named one of the most original films of the 1980s by British critics. The action is set in the director’s beloved 17th century. Ambitious young artist Mr. Neville (Anthony Higgins) is invited by Mrs. Herbert (Janet Suzman) to make 12 elaborate sketches of her estate. Besides money, the contract includes sexual favors that Mrs. Herbert will offer to the draughtsman in the absence of Mr. Herbert. Entirely confident in his ability to weave a web of intrigues, Mr. Neville eventually becomes a victim of someone else’s elaborate scheme. The film is structured as a sophisticated intellectual puzzle like the ones popular in the 17th century.
After bailing on her wedding, a former bride-to-be must fight off her ex-groom and seven angry killer groomsmen in order to survive the night.
Something sinister has come to the shores of Erin Island, unbeknownst to the quaint population of this sleepy fishing village resting somewhere off Ireland’s coast. First, some fishermen go missing. Then there is the rash of whale carcasses suddenly washing up on the beach. When the murders start, it’s up to two mismatched cops – an irresponsible alcoholic and his new partner, a by-the-book woman from the mainland – to protect the townsfolk from the giant, bloodsucking, tentacled aliens that prey upon them. Their only weapon, they discover, is booze. If they want to survive the creatures’ onslaught, everyone will have to get very, very drunk!
When the Kwimper family car runs out of gas on a new Florida highway and an officous state supervisor tries to run them off, Pop Kwimper digs in his heels and decides to do a little homesteading. He and his son Toby and their “adopted” children – Holly, Ariadne and the twins – start their own little community along a strip of the roadside.
A couple experiences a defining moment in their relationship when they are unintentionally embroiled in a murder mystery. As their journey to clear their names takes them from one extreme – and hilarious – circumstance to the next, they must figure out how they, and their relationship, can survive the night.
Chuck Redwell is a gambling cowboy who discovers that he’s lucky at the roulette wheel if he holds hands with dancer Marie. However, Marie doesn’t like to hold hands with him, at least not in the beginning…
‘Guns’ Donovan prefers carousing with his pals Doc Dedham and ‘Boats’ Gilhooley, until Dedham’s high-society daughter Amelia shows up in their South Seas paradise.
David is an American architect who relocates across the pond to take up a job at a prestigious London firm. As the clock counts down to Christmas Day, David is running out of time to buy his girlfriend – who also happens to be his boss’s daughter – a thoughtful present so he resorts to buying her a somewhat uninspired gift card.
Two playwrights, George and Charlie, are tasked with the challenge of creating the next “avant-garde, surrealistic, mind-bending neo-noire thriller”. As they write, the story comes to life in real time. However, their own emotions and arguments also begin to manifest on film, creating sharp twists and turns that affect the entire movie. Filled with hilarity and chaos, Murder, Anyone? is a comedic play-within-a-play-within-a-movie that contemplates the complexities of language, art, theater, film and more.
