Donald and the chipmunks, Chip and Dale, are after each other again, this time when they come upon Donald vacationing in a trailer. When he goes swimming, they fool him by moving the diving board and end up wrecking his car.
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It’s the end of the world. A flood is coming. Luckily for Dave and his son Finny, a couple of clumsy Nestrians, an Ark has been built to save all animals. But as it turns out, Nestrians aren’t allowed. Sneaking on board with the involuntary help of Hazel and her daughter Leah, two Grymps, they think they’re safe. Until the curious kids fall off the Ark. Now Finny and Leah struggle to survive the flood and hungry predators and attempt to reach the top of a mountain, while Dave and Hazel must put aside their differences, turn the Ark around and save their kids. It’s definitely not going to be smooth sailing.
Substance-addicted Hollywood actress Suzanne Vale is on the skids. After a spell at a detox centre her film company insists as a condition of continuing to employ her that she live with her mother Doris Mann, herself once a star and now a champion drinker. Such a set-up is bad news for Suzanne who has struggled for years to get out of her mother’s shadow, and who finds her mother still treats her like a child. Despite these problems – and further ones to do with the men in in her life – Suzanne can begin to see the funny side of her situation, and it also starts to occur to her that not only do daughters have mothers, mothers do too.
Wendy (Katie Weigl) is preparing to host an evening at her home for friends, during which they will read an addendum (Codicil!) to her dead husband’s will. Her husband’s twin brother (Jamie Insalaco), his college roommate (Dan Conrad) and friends (Greg Vorob, Marc Seidenstein) all attend to find out exactly what Will left them in his – will.
Two strangers, a young a man and woman, are stranded in an isolated house in the French Alps during a snowstorm. As they bond and lie to each other about their pasts, their sexual desires become intense. One problem soon becomes evident as they tear the house apart looking for a condom. Will he succumb to the carnal desires of this young nymph? A crazy, fun thriller with lots of quirky French humor! It’s not Porn…it’s French. Bone Appetite!
Christmas is drawing near, but it’s not a happy time for David. After moving to a big city, his parents have been bogged down with work and forgotten the meaning of Christmas. David decides to change that. Together with Albert the Elf, who escaped from the land of Santa to figure out what Christmas is all about, David sets off to Tatra Mountains, where his grandparents live, on a journey full of adventures.
Born into a tight-knit wrestling family, Paige and her brother Zak are ecstatic when they get the once-in-a-lifetime opportunity to try out for the WWE. But when only Paige earns a spot in the competitive training program, she must leave her loved ones behind and face this new cutthroat world alone. Paige’s journey pushes her to dig deep and ultimately prove to the world that what makes her different is the very thing that can make her a star.
Keely is aghast when her brother sells his half of their family-owned, upscale candy shop to his best friend from high school orcing a sudden urgency to find connection and common ground. Keely has been hurt before; change is her new nemesis. Brooks’ past is a mirror of Keely’s. He, too, has a fortress around his heart. Fate brings the pair together. Might it also offer new beginnings?
Charlie and Lisa, two divorced parents in their 40’s who find themselves at a midlife crossroads. Both are single parents and they have four complicated teenagers.
Littlefoot and his friends return in another adventure. But this time, they aren’t the smallest dinosaurs in the valley anymore.
Simple conversations engender complicated human interactions. The first in Eric Rohmer’s Four Seasons series, Conte de printemps (A Tale In Springtime) is the story of an introverted young girl (Florence Darel) just reaching adulthood who takes a liking to an older woman she meets at a party (Anne Teyssedre) and determines to match her off with her father (Hugues Quester), despite the latter’s already having a lover of his own. There is a certain absurdity to this, apparent to both adults, who though both reluctantly attracted to each other resent Darel’s attempts at matchmaking. Nevertheless, both of them are intelligent enough to understand that there is no ‘proper’ way to meet, and are alive to the possibilities that life brings them. Darel, for her part, is a persistent catalyst. As with all Rohmer films, the stage is set, in an age of increasing impermanence and uncertainty in human relationships, for a series of minimalist reflections on love and life.
A group of teenagers in the desert become the prey of cannibalistic inbreds who live in the nearby hillside.
