Together, a filmmaker and her characters venture into a personal research project about intimacy. On the fluid border between reality and fiction, Touch Me Not follows the emotional journeys of Laura, Tómas and Christian, offering a deeply empathic insight into their lives. Craving for intimacy yet also deeply afraid of it, they work to overcome old patterns, defense mechanisms and taboos, to cut the cord and finally be free. Touch Me Not looks at how we can find intimacy in the most unexpected ways, at how to love another without losing ourselves.
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On a remote, isolated, unnamed Lebanese village inhabited by both Muslims and Christians. The village is surrounded by land mines and only reachable by a small bridge. As civil strife engulfed the country, the women in the village learn of this fact and try, by various means and to varying success, to keep their men in the dark, sabotaging the village radio, then destroying the village TV.
Barbara O’Brien, an Irish Catholic mother, has her life turned upside-down when her son, a freshman in college, is involved in a tragic hazing incident. Taking justice into her own hands, she travels across the country recording mothers who have lost sons to hazing in an effort to prove the university’s liability. When she is confronted by corruption and cover ups, she seeks revenge on the one person she finds truly responsible, proving that hell hath no fury like a mother scorned.
She was a beautiful fugitive. Fleeing from corruption. From power. He was a professional athlete past his prime. Hired to find her, he grew to love her. Love turned to obsession. Obsession turned to murder. And now the price of freedom might be nothing less than their lives.
Jamal has just returned to Australia after disappearing overseas for 18 months fighting in Syria. He’s back in the country and wants to see his terminally ill mother, however he has to deal with his strong-minded older brother Omar, then his wife Heidi and their young son whom he left behind, but most importantly his unforgiving father. But why has Jamal really come back? Is he a militant with a cause or an easily led pawn in a bigger picture? A story about redemption, forgiveness and the consequences of your actions on loved ones and those you leave behind.
A coming of age drama following the life of Matt Hamill, the first deaf wrestler to win a National Collegiate Wrestling Championship.
When Eun-soo gets lost in a country road, he meets a mysterious girl and is led to her fairytale ike house in the middle of the forest. There, Eun-soo is trapped with the girl and her siblings who never age. Eun-soo finally discovers a way out which is written on a fairy tale book. But the book tells a story of none other than himself!
As we follow a mother and her son, we delve into a past marred by an accident that tears them apart. She will become a renowned artist and healer, and he will grow into his own and a peculiar falconer who bears the marks of a double absence. In the present, a young journalist will bring about an encounter between the two that puts the very meaning of life and art into question, so that we may contemplate the possibility of living life to its fullest, despite the uncertainties littering our paths.
A pregnant single mother, with two children in foster care, embraces her Bay Area community as she fights to reclaim her family.
Raised as a slave, Danny is used to fighting for his survival. In fact, his “master,” Bart, thinks of him as a pet and goes as far as leashing him with a collar so they can make money in fight clubs, where Danny is the main contender. When Bart’s crew is in a car accident, Danny escapes and meets a blind, kindhearted piano tuner who takes him in and uses music to free the fighter’s long-buried heart.
In upscale Opulent, Arizona, Jason Miller, mid-20s, a spoiled rich kid still living off daddy’s money, and his wrong-side-of-the-tracks friend, Rick Brooks, raised in poverty, naively choose the wrong path to riches. Their fast-cash plan crashes them into a brick wall when they unwittingly cross into the territory of the dark and deadly crime lords that rule the underworld of Opulent.
December 1897, Paris. Edmond Rostand is not yet thirty but already two children and a lot of anxieties. He has not written anything for two years. In desperation, he offers the great Constant Coquelin a new play, a heroic comedy, in verse, for the holidays. Only concern: it is not written yet. Ignoring the whims of actresses, the demands of his Corsican producers, the jealousy of his wife, the stories of his best friend’s heart and the lack of enthusiasm of all those around him, Edmond starts writing this piece which nobody believes. For now, he has only the title: “Cyrano de Bergerac”.
