Set over the course of a weekend tournament for chess software programmers thirty-some years ago, COMPUTER CHESS transports viewers to a nostalgic moment when the contest between technology and the human spirit seemed a little more up for grabs. We get to know the eccentric geniuses possessed with the vision to teach a metal box to defeat man, literally, at his own game, laying the groundwork for artificial intelligence as we know it and will come to know it in the future.

The 1975 film by Georgi Daneliya “Afonya” was an unexpected commercial hit in USSR. The main character “Afonya” Borshev is a plumber, who spends his life partying with “buddies”, many of whom he doesn’t even remember after nights of heavy drinking. His wife leaves him, his boss places him on probation, his whole life is falling apart, but he doesn’t realize it. Afonya met Katya at a dance club, yet didn’t pay her much attention. But she is the one, who can save him… In this movie Daneliya achieves a perfect balance of satire and drama. Quotes from the movie gained a cult status in USSR.

Following the hugely successful Agatha Christie-inspired whodunnits Murder on the Blackpool Express and Death on the Tyne, unlikely super-sleuths Johnny Vegas and Sian Gibson return with a killer group of comedy greats in the latest Draper’s Tours outing, once again written by Jason Cook. Terry (Vegas) and Gemma (Gibson) are forced to take refuge in a sinister and dilapidated caravan park after their coach breaks down. During the unplanned stay, visitors and residents begin to be bumped off one by one under grizzly circumstances. The all-star cast includes Sally Lindsay, Phil Davis, Mike Wozniak, Joanna Page, Jason Donovan and Annette Crosbie.

Mia, an aspiring actress, serves lattes to movie stars in between auditions and Sebastian, a jazz musician, scrapes by playing cocktail party gigs in dingy bars, but as success mounts they are faced with decisions that begin to fray the fragile fabric of their love affair, and the dreams they worked so hard to maintain in each other threaten to rip them apart.

“Occident” is a bitter comedy about the people who want to emigrate from Romania, and about those who stay behind. The movie has a rich, interesting structure: there are three different stories – a weeklong in the film – that cross, interconnect and happen in the same period. The characters influence each others lives, sometimes even without knowing. Main characters from one story become secondary characters in another story. At the same time, scenes from the first part of the movie bring unexpected facts when seen the second or the third time. The stories do not have just one ending: the first story ends in each of the third parts in a different point, suggesting radically different solutions for the characters. The way in which the director fits time and links events together often produces thematically unexpected results.

With the aid of his girlfriend, Phyllis Potter, and best friend, Loomis, Grimm enters a Manhattan bank dressed as a clown, creates a hostage situation and executes a flawless robbery. The only thing left for the trio to do is make their getaway out of the city and to the airport. It sounds simple enough, but it seems that fate deserts them immediately after the bank heist. One mishap after another conspires to keep these robbers from reaching freedom.

Unsure of what to do next, 23-year-old Marnie tries her best to navigate life after college in this romantic comedy. Still partying like there’s no tomorrow, Marnie drags herself out of bed for her miserable temp job and can’t decide whether she’s wasting her time going after best buddy Alex, who doesn’t seem to be interested.

Henry VIII has just married Marie of Normandy, and is eager to consummate their marriage. Unfortunately for Henry, she is always eating garlic, and refuses to stop. Deciding to get rid of her in his usual manner, Henry has to find some way of doing it without provoking war with Marie’s cousin, the King of France. Perhaps if she had an affair…

After being told by her boss that the company needs to attract more clients, Elizabeth, a skilled executive, meets one of Santa’s helpers, who blesses her with an extraordinary gift allowing Elizabeth to hear everyone’s unspoken thoughts. While first using her new-found power to get ahead at work, she soon learns to become a better person, turning an office rivalry into romance while learning the true meaning of Christmas along the way.

POUND OF FLESH is the story of two men, polar opposites who will fall from grace at the same moment,engage in moral and mortal combat, and discover that they are not that different after all.

In the midst of family tensions, an egocentric free spirit who hits rock bottom finds unexpected success as a self-empowerment guru after publishing a self-help book.

In this black comedy the lives of a timid small-time printer and his young wife are turned inside out by the arrival of a stranger who moves in and takes over their world. Set in a village-like outpost in the heart of Tokyo, this is a wry commentary on Japanese xenophobia. Kiki Sugino heads a spritely ensemble cast.