A shy high schooler in Kyoto meets a man claiming to be his future self, who tells him he’s hacked into the past to save their first love.

Taped in July before a live audience at the Showbox Theatre in Seattle, Cross pushes his brash humor to new extremes, offering uncensored remarks on the Virgin Mary, trendy advertising, violence in the media, airports and pornography, Dr. Kevorkian, organ donations, High Times magazine and religious fundamentalists.

The suburban peace of the Bentley household is shattered when John Bentley is informed by his wife Stella that their two married daughters, Pat and Corrine are in trouble and need funds to come home and bring their husbands, Peter, a penniless Parisian artist and Barnaby, a Texas cowboy, with them. And the youngest daughter, Gwen, has tricked an American singer, Bobby Denver, into visiting them on the pretext that it is the home of a noted British film magnate. When all the women in the household — including the maid — fall for the singer’s charms, Bentley consults a crackpot psychiatrist, Dr. Schneider, who almost succeeds in ousting, not the singer, but Bentley’s wife, with his advice to Bentley to make her jealous by living it up with Pearl, a showgirl recruited for the purpose.

Will and Clayton witness a murder, but out of fear decide not to tell anyone. They and their friend Betsy, whose father has been wrongfully accused of the crime, go on a journey to find the real killer, and at the same time redeem themselves.

Henry Perkins, a mild-mannered accountant, accidentally trades briefcases with another man, to find out that there’s a million dollars inside. Henry tells his unsuspecting wife of their new-found fortune, but she doesn’t embrace it as well as he does. Soon they’re joined by their best friends, a cop on the take, a cop on the hunt, and the dreaded Mr. Big, who has come to claim his money.

Alice and Tommaso have been together for fifteen years; they don’t have children, he‘s a musician, she’s an actress. Invited to dinner for an announcement, their friends think it’s going to be a marriage announcement, but instead discover that decided to break up: but without drama or emotional rifts, staying friends with each other. A legitimate but naive ambition. Love stories end, because people change. And no change is, nor can it be, painless.

In a remote village in South India, three generations of sons react to the death of Century Gowda, their grandfather, a 101-year-old man. The three story lines intertwine before converging at Century Gowda’s “Thithi”, the final funeral celebration eleven days after a death.

A young Englishman marries a glamorous American. When he brings her home to meet the parents, she arrives like a blast from the future – blowing their entrenched British stuffiness out the window.

We follow the two Texas doctors who invented the modern breast implant and its surgical procedure. However, when success and money come their way, they split up and follow different paths. One becomes the surgeon of the everyday woman while the other’s career freefalls and has to settle with strippers and actresses. The film covers their history and their inventions, from the sixties until today.

In DISASTER MOVIE, the filmmaking team behind the hits “Scary Movie,” “Date Movie,” “Epic Movie” and “Meet The Spartans” this time puts its unique, inimitable stamp on one of the biggest and most bloated movie genres of all time — the disaster film.

Former Broadway star, Billy Holiday, meets Rae, the charismatic owner of a local dance studio. Billy volunteers to help Rae with a dance recital fundraiser, their collaboration clicks and romantic sparks start flying.

Adam Conover talks about society’s short attention span, prescription drugs, and American car culture.