After a girl goes missing, two of her friends and a mysterious set of strangers find themselves drawn to the cabin in the woods where she disappeared. They will laugh, they will drink, they will kiss, they will make love, and THEY MUST ALL DIE.
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For centuries and across cultures, parents have warned their children of the legendary Bagman, who snatches innocent children and stuffs them into his vile, rotting bag—never to be seen again. Patrick McKee narrowly escaped such an encounter as a boy, which left him with lasting scars throughout his adulthood. Now, Patrick’s childhood tormentor has returned, threatening the safety of his wife Karina and son Jake.
When her brother Bobby returns from World War II mentally damaged, Anna has to deal with her parents who don’t acknowledge her brother’s existence, who is now brought to a mental hospital. After his sudden death Anna begins to question her own sanity. Her gangster boyfriend Billy’s action pushes her further, she’s now convinced the only way she can be “cured” is to have a lobotomy.
Set on the small island of Porto Buio, the traditional live Christmas Nativity scene might not go ahead because the baby who’s always played Jesus has grown up and no new babies have been born on the island in years! With this fundamental tradition on the line, newly elected Mayor Cecco (Claudio Bisio) wants to ask the local Tunisian community to “borrow” one of their children, but there’s conflict between the two communities. Cecco enlists the help of local Islam convert Bilal (Alessandro Gassman) to cross the cultural divide… but both communities are not sure what to make of a baby Jesus that may need his nationality, and even his religion changed!
When an IT guy meets a beautiful girl who dreams of being an actress, he pretends to be a big shot producer to win her over. With the insistence of her suspicious friends, she continually tests to see if he is the real deal. This leaves him no choice but to desperately keep up the illusion, because he finds himself falling in love with her.
When a single mother and her two young children are tormented by an increasingly strange and intense presence in their quiet suburban home, she turns to her scientist boyfriend to take on the violent forces that paranormal experts are too frightened to face.
For siblings Brie, Daniel, Crew, and Jess, family has always come first. But when Crew (Daniel DiTomasso) invites his girlfriend Sara (Kate French) into the family, distrust begins to bubble between the siblings. Seeing Sara as a threat, Brie (Fiona Dourif) grows spiteful and increasingly suspicious that she is being replaced. That is, until the night Crew attempts to murder her in their family house. Traumatized, Brie is sent to a mental facility where she is tormented by hallucinations of Crew from the night of the attack. But when the visions begin to bleed into reality, Brie starts to fear that it’s not just her sanity that’s in danger, and she flees the facility. In a frantic attempt to return to her remaining siblings and warn them, Brie begins to uncover a trail of gory, sinister secrets that lead her to believe that she might not know her family as well as she thought.
Describing David Crowe’s stand-up reads like the beginning of the Dickens’ classic, A Tale of Two Cities. “It was the smartest of shows. It was the dumbest of shows. It was erudite and sophisticated. It was physical and ridiculous. It was horrifying. It was hilarious.” Crowe stormed the Edinburgh Fringe Festival with five star reviews and agglomerations of madding fans. He’s won the Seattle and San Francisco comedy competitions, and has numerous appearances on Comedy Central and The Bob & Tom Radio Show. “Crooked Finger” was taped at the Triple Door Theater in downtown Seattle. It includes topical and some wild material that didn’t air on his Showtime Comedy Special. See the show that the Herald called “a lethal comedy whiplash.”
Based on the John Irving novel, this film chronicles the life of T S Garp, and his mother, Jenny. Whilst Garp sees himself as a “serious” writer, Jenny writes a feminist manifesto at an opportune time, and finds herself as a magnet for all manner of distressed women.
As everyone knows, children make no difference between social classes, skin colors or religions. But then why does Corentin, Paul and Sofia’s nine-year-old son, only have friends like him at Bagnolet’s school? And when his friends all leave for a private school in Paris, his parents are frightened. From now on, Corentin is the only one in his class. But the only what?
A retired prizefighter becomes the unlikely guardian of a young orphan boy recently arrived from England to New York’s Bowery District.
Madison, an aspiring musician, jokingly tells her overbearing family that she is dating the prince of a small European nation. The joke goes too far as her friend and co-worker Sebastian is roped into impersonating the prince while visiting her family in New Jersey. Little does Madison know that Sebastian happens to be hiding a royal secret.