A newly elected prime minister is assassinated as part of a conspiracy, and a deliveryman has to flee for his life when he is framed and the evidence against him begins to accumulate.

After his wife is assaulted, a husband enlists the services of a vigilante group to help him settle the score.

In Roman Polanski’s first English-language film, beautiful young manicurist Carole suffers from androphobia (the pathological fear of interaction with men). When her sister and roommate, Helen, leaves their London flat to go on an Italian holiday with her married boyfriend, Carole withdraws into her apartment. She begins to experience frightful hallucinations, her fear gradually mutating into madness.

This prequel of the bone-chilling Tremors begins in the town of Rejection, Nev., in 1889, where 17 men die under mysterious circumstances. Spooked by recent events, the miners who populate the town leave in droves until there’s nothing left but a shell of a community. It’s up to the remaining residents to get to the bottom of the deaths — but they must do so before they, too, are eradicated off the face of the planet.

Sam and Silvy are best friends. One night, as they are watching a falling star while floating on their backs in a lake, Sylvy disappears from his side. Despite his best efforts, he cannot find her under water. Many years later, Sam, now a psychologist, returns to bury his father. Back in his hometown, he meets a woman called Ruby who reminds him in so many ways of his lost love.

In the late nineteenth century, brutal land baron Seamus Laurent slaughters a Roma clan, unleashing a curse on his family and village. In the days that follow, the townspeople are plagued by nightmares, Seamus’s son Edward goes missing, and a boy is found murdered. The locals suspect a wild animal, but visiting pathologist John McBride warns of a more sinister presence lurking in the woods.

Rita Rizzoli is a narcotics cop with a plethora of disguises. When a drug shipment is hijacked, the thieves don’t know that the drug is unusually pure and packs of ‘Fatal Beauty’ begin turning up next to too many dead bodies. Mike works for the original owner of the drugs and tries to tell himself that since he does not handle the drugs, he is ‘clean’. Mike becomes Rita’s constant companion.

One livid dawn, a cold and damp wind blows as a man walks alone through the darkness. Deputy Police Superintendent Francesco Prencipe is on his way to meet his best friend, Judge Giovanni Mastropaolo whom he hasn’t seen for almost two years. The men drive for two hours and exchange but a few words. Later that morning, the Judge is found dead, a single gunshot wound to his head. Francesco is the last person who saw him and his fingerprints are the only ones found in the house. But is he the murderer?

Marty Lakewood is a reporter forced to leave Chicago and his family because he had uncovered too much police corruption. He returns to his small home town on the California coast to his ailing mother and prostitute sister, with whom he had an incestuous affair. Being short of money, he seduces a woman cop in order to sell her house.

From the director of “Eden Prime,” “Hardline 2nd Term,” Kennedy Lucas’ next thriller expands to the era of the 1940s, when Detective John Clark uncovers the murder mystery of young impressionable women in the heart of Hollywood.

A moral discussion between sexes arises when an aspiring photographer secretly takes pictures of his barely dressed neighbour in the search for his artistic expression.

Jung-Woo (Kim Sung-Su) is a neurosurgeon and also works in bioengineering research. He is married, but has an ongoing relationship with Yoo-Gyeong (Han Go-Eun). She is a doctor and stands by Jung-Woo. Yoo-Gyeong has a mysterious accident one day and her hand is cut off in the accident. Thanks to Jung-Woo’s quick thinking, her hand is reattached successfully with surgery. Yoo-Gyeong’s health improves after the surgery, but bizarre events take place around her constantly.