“Tomorrow’s Promise is a film about vacantness. Which physically does ‘begin’, reversed, upside down on the screen […] suddenly another such position is taken (not in reverse), this time by a male figure and soon, in this same section, the girl of the reversed image reappears posed in a different way; a way obsessed by ‘mood’. Then a technical play of in-the-camera-editing occurs, more intense, brighter than in the first, reversed section. There are several inter-cuts which serve, in this and each subsequent section unto the end, as relative links into the final section: which is actually the ‘story’. The story the protagonist and her hero try to tell in their way is apophysis; except that ‘pictures’, clear visions take the place of words. My film could have been edited with precise tensions and a lucid straight narrative, but it was my aim to ‘re-create’ the protagonist of my personal life.” – Edward Owens
You May Also Like
A community reacts against a group of foreigners who under the guise of development assistance are forcibly sterilizing the peasant women.
Salvatore Sebergandio presents aged mafia Hit-Man, (Robert Woods), who is sent to Los Angeles’s San Fernando Valley to hang low after a major job, but while in L.A., the Hit Man gets involved with a Witch (Shannah Laumeister Stern) and two Mafia brothers, (Marco and Marcello Cacioppo) who live in a world that blurs reality with fantasy; all for power and wealth; as members of a Hollywood cult are eliminated.
In the days following the surrender of Germany in May 1945, a group of young German prisoners of war were handed over to the Danish authorities and subsequently sent out to the West Coast, where they were ordered to remove the more than two million mines that the Germans had placed in the sand along the coast. With their bare hands, crawling around in the sand, the boys were forced to perform the dangerous work under the leadership of the Danish sergeant, Carl Leopold Rasmussen.
Little Women is a “coming of age” drama tracing the lives of four sisters: Meg, Jo, Beth and Amy. During the American Civil War, the girls father is away serving as a minister to the troops. The family, headed by thier beloved Marmee, must struggle to make ends meet, with the help of their kind and wealthy neighbor, Mr. Laurence, and his high spirited grandson Laurie.
Simon is an intelligent and privileged young man whose family expects him to become a Princeton graduate. Crying out for attention from his reserved and cool hearted family, Simon commits numerous petty crimes and is soon sent away to boarding school where he befriends a “Deadhead,” adopts the “hippie” lifestyle and dabbles in many drugs in his search for acceptance.
After the death of her father, Natalie Travers (Melissa Gilbert) discovers he was married to a rodeo star before he married Natalie’s mother. Upset that her father kept part of his life a secret from her and bewildered over how a prominent judge could fall for a cowgirl, she sets out to find Maggie Mae Jarrett. But Natalie meets her daughter Jessie Mae Jarrett (Lindsay Wagner) who is struggling to keep the wild horses on her land alive and safe.
A chronicle of the life of a middle-class French girl’s sexual adventures, her then fall into prostitution, and her ultimate redemption.
Two young artists use love as a safety net against the fear and pain in their lives in order to propel them deeper into their art.
When a single mother her teenage daughter becomes ensnared in a deadly crime, find an unexpected ally in their neighbor, a simple, doting but genius teacher math teacher comes to aid, while a tenacious cop digs into the case.
Georges has Down syndrome, living at a mental-institution, Harry is a busy businessman, giving lectures for young aspiring salesmen. He is successful in his business life, but his social life is a disaster since his wife left him and took their two children with her. This weekend his children came by train to meet him, but Harry, working as always, forgot to pick them up. Neither his wife or his children want to see him again and he is driving around on the country roads, anguished and angry. He almost runs over Georges, on the run from the institution since everybody else went home with their parents except him, whose mother is dead. Harry tries to get rid of Georges but he won’t leave his new friend. Eventually a special friendship forms between the two of them, a friendship which makes Harry a different person.