The adventure unfolds as Tom Sawyer and Huck Finn – Tom’s friend from the streets – witness a murder in the graveyard. Tom and Huck flee to Jackson Island and make a pact never to tell anyone about the incident. However, when the good-natured Muff Potter, who has been blamed for the murder is sentenced to death by hanging, Tom breaks his promise and returns to exonerate Muff Potter. In jun Joe, the actual murderer, makes a hasty exit from the courtroom during the trial. A short time later, Tom and Huck find references to a treasure and have to face In jun Joe again.
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A veteran vice cop has a hard time dealing with her partner’s suicide.
Imagine an insatiable demon that feeds on blood, thrives on pain, and reaches from beyond the grave to torment the living…and the dead. For believers and skeptics alike, there is nothing in this world or the next to rival the relentless evil of a Voodoo Possession. Burdened since childhood with a gnawing sense of guilt, cynical Aiden Chase journeys to a Haitian insane asylum in search of his missing brother. Upon arriving, he discovers all the inmates and the hospital administrator (Danny Trejo, Machete) are seemingly possessed by a bloodthirsty voodoo spirit. Now, Aiden must abandon reality and descend into a terrifying spirit world to try to rescue his brother – or they will both be damned for eternity.
Daisy inherits a spooky old estate from her late grandfather, a martial arts master whom she never met. When she shows up on the property, she soon discovers the house is haunted by her grandfather’s spirit and the ghost of a mysterious man named William. When treasure-hunting criminal descend on Daisy’s new home, she is forced to call on her new supernatural friends to fend them off.
Uzak/Distant chronicles the numbing loneliness, longing, and isolation in the lives of two men who are consumed by their own problems. Istanbul photographer Mahmut reluctantly receives his relative Yusuf, but the mingling of their lives does little to alleviate their detachment.
Weighed down by his deadbeat father and unrelenting financial debts, Joss is forced to sink deeper into a criminal underworld to escape his burdens. As the line between his two lives thins, Joss frantically begins constructing an escape from his sins he commits before they swallow him whole.
Two worlds collide when a young Amish girl discovers she was adopted by a wealthy family. As she seeks her birth mother, overcomes the obstacles of a lost fiance, and a crafty gold-digger who seeks the fortune of her birth mother.
A young Oxford academic and his attorney girlfriend holiday on Antigua. They bump into a Russian millionaire who owns a peninsula and a diamond watch. He wants a game of tennis. What else he wants propels the lovers on a tortuous journey to the City of London and its unholy alliance with Britain’s intelligence establishment, to Paris and the Alps.
A reluctant cavalry Captain must track a defiant tribe of migrating Cheyennes.
Novalee Nation is a 17-year-old Tennessee transient who has to grow up in a hurry when she’s left pregnant and abandoned by her boyfriend on a roadside in Sequoyah, Okla., and takes refuge in the friendly aisles of Wal-Mart. In short order, some eccentric, kindly strangers “adopt” Novalee and her infant daughter, helping them buck the odds and build a new life.
An independent tragicomedy, Run If You Can is the debut feature for director Brüggemann who, along with his sister, also wrote the compelling screenplay. Forced to spend the rest of his life in a wheelchair, Ben is deeply desperate, despite his humor and vivaciousness. When he meets Christian, his new assistant, Ben treats him like every other helper he’s had. Things suddenly change when Christian meets Annika, “the cello player” whom Ben has been observing from his window for years. The three become close friends, putting Annika in the middle of an emotional, and somehow dangerous, ménage à trois. While conquering Annika is nothing very serious for career-focused Christian, Ben’s love for Annika reminds him of his past and forces him to face his most remote fears. A character-driven story, Run If You Can owes much of its power to the actors’ performances, especially Robert Gwisdek’s outstanding interpretation of Ben.
