Tom And Jerry are among the last animals living in Storybook Town, a fairy tale-inspired theme park “where dreams come true, if you believe.”
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Young Koko has just moved with his parents from his idyllic countryside home to a big city. There, with the help of his new friends and a neighbour he investigates the mysterious case of a dead old man who used to live in the flat he has just moved into. Koko and the Ghosts is a family film based on a popular Croatian series of young-adult novels written by Ivan Kušan.
Nick Gutlicht lives of illegally selling valuable books, owes money to a bunch of other crooks and has to hide from them. By chance he ends up in the mansion of the famous, now very old philosopher Curt Ledig, who despite the age related forgetfulness and pathological kitchen phobia resists to move to his daughter. Nick is hired by the family as watchdog. Now Curt can work on a presentation for the upcoming symposium, which anybody thinks he’s capable of anymore. Nick thinks he has an excellent hiding place. This partnership of convenience of the two individuals quickly develops its own momentum. Curt regards Nick as an exciting research object and subjects him to an absurd therapy. For Nick it’s a unique opportunity to fund his finances with Curt’s phenomenal library. The strange couple is going through turmoil of incalculable proportions.
Three friends in need of an escape from reality take a hilarious road trip to Malibu for a wild beach party.
Six men, one woman (and her brother) come together with one goal – to make the play. It would be probably another common story that this theater group is composed of anti-heroes who float lost in time and space, in a town where it seems that the sun sets in the east. Led by Sasha, a director who has recently returned to his hometown, this group of socially neadaptiranih amateurs starting the fight to their demons and the prejudices that surround them in the society. For dramaturgical template selection western and riding on stereotypes of the genre of the struggle between good and evil, the conflict between civilization and wilderness, the protagonists develop their life stories inevitably influencing and changing each other. Although, as time passes, the show looks increasingly like a mission impossible, almost all of its stakeholders is increasingly seen as a metaphor for their fate and get caught for it as the opportunity of a lifetime .
An offbeat comedy about an estranged father who returns to his hometown after an absence of ten years in order to reconnect with his daughter and ex-wife but unwittingly finds himself responsible for almost destroying all their lives.
André Masson, an auctioneer at Scottie’s, receives a letter from a lawyer claiming that a common worker in the suburbs of Mulhouse owns a painting by Egon Schiele. André’s first reaction is to believe that it can only be a fake. He decides to make the trip to Mulhouse anyway and against all odds, the painting turns out to be a masterpiece gone missing in 1939. This could undoubtedly be the turning point of his career, but after a brief investigation, he realizes that he has in his hands a looted work of art.
Based on the popular Tom Clancy video game series
Ushi Hirosaki has to marry according to Japanese tradition before her 30th birthday. Because time is running out, her family decides she has to marry a huge sumo wrestler. A rather unfortunate combination, so Ushi wants to look for a nicer candidate herself. She travels halfway around the world to find her dream husband. Along the way she does valiant efforts, for example to learn table manners and to lose her Japanese accent.
Ogden Confer is a community college student living with his parents and dealing with the recent loss of his best pal, Rose, when he foils the suicide effort of a mysterious young lady, Beth, who proceeds to make him pay for not minding his own business.
In the wake of their friends’ marriages and eventual offspring, longtime pals Julie and Jason decide to have a child together without becoming a couple. By becoming “time-share” parents, they reason, they can experience the joys of parenthood without significantly curbing their personal freedom. However, when Julie and Jason both become involved with others, they discover that they secretly harbor romantic feelings for each other.
