The Roya, valley in the South of France at the border with Italy. Cédric Herrou, farmer, cultivates its olive trees. The day where he crosses the road of the refugees, he decides, with other inhabitants of the valley, to welcome them. To offer them a refuge and help them to remove their request to asylum.
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Mr. Kuo and his wife Mrs. Lin cook for the city’s sleepless. They work all night and sleep during the day, like many others in buzzing Taipei. Until one morning, riding back from the market, Mr. Kuo takes a different exit on the highway.
Filmed over three years on China’s railways, The Iron Ministry traces the vast interiors of a country on the move: flesh and metal, clangs and squeals, light and dark, and language and gesture. Scores of rail journeys come together into one, capturing the thrills and anxieties of social and technological transformation. The Iron Ministry immerses audiences in fleeting relationships and uneasy encounters between humans and machines on what will soon be the world’s largest railway network.
They Ain’t Ready For Me is the story of Tamar Manasseh, the black rabbinical student who leads the fight against gun violence on the south side of Chicago. Tamar’s identity and personality combine to make her a force to be reckoned with.
This revealing portrait of Cuba follows the lives of Fidel Castro and three Cuban families affected by his policies over the last four decades.
Follows the life of Kanye West, in an intimate portrait as he builds his way from singer to businessman and becomes a global brand.
A group of filmmakers from the USA, UK, Russia and Europe came together in Latvia, aiming to do what every major studio in the world in every country was not able to do – complete the shooting of a film under Covid-19 conditions.
A Sense of Justice, immerses us In a law firm in this same city. There, we can find Christine Mengus and Nohra Boukara, specialized in the rights of foreigners, supported by Audrey Scarinoff and their co-workers.. Stories from their sad, appalling or tragicomic cases alternate with their daily legal work. And as we hear snatches of consultations involving illegal entry or departure, deportation orders, the right to reside or medical assistance, we become witnesses to predictable tragedies, to the administrative or social precariousness induced by such predicaments, and to whole lives depending on court rulings.
Norfolk Island, 800 miles off the coast of Australia, is home to some of the largest tiger sharks in the world. As strange as it sounds, some think this small island in the middle of the South Pacific has become like a drive-thru burger joint for tiger sharks to gorge on meat. For the first time, scientists are diving in to answer why there are so many huge tigers there. Shark biologists Lauren Meyers, Charlie Huveneers and Adam Barnett lure the giants to their boat to investigate and make a surprising discovery.
The film follows a BBC war reporter and Harvard psychiatrist Dr. John Mack, whose careers were threatened by the investigation of the incident, as well as a former student who journeys back to the rural Ariel School.
Two South Africans set out to discover what happened to their unlikely musical hero, the mysterious 1970s rock ‘n’ roller, Rodriguez. The film won Best Documentary at the 85th Academy Awards.
The campaign to free Julian Assange takes on intimate dimensions in this documentary portrait of an elderly man’s fight to save his son. Arguably the world’s most famous political prisoner, WikiLeaks founder Julian Assange is a figure pretty much everybody has an opinion about; perhaps more importantly, he serves as the emblem of an international arm wrestle over freedom of journalism, government corruption and unpunished war crimes. For his family members who face the prospect of losing him forever to the abyss of the US justice system, however, this David-and-Goliath struggle is personal – and, with his health declining in a British maximum-security prison and American government prosecutors pulling out all the stops to extradite him, the clock is ticking.
