Sukri and Surti had to return to Cibeureum because Sukri’s father died. However, after the funeral, Sukri’s family could not immediately return to Jakarta, because his mother was involved in a criminal case. Meanwhile, their two children, Bayu and Gerhana, are starting to feel comfortable because they have met extraordinary new friends, Cempaka and Sangaji, go on an adventure to help solve the family’s problems in an unexpected way. The sense of family is tested in the face of challenging situations.

As Rockit grapples to understand why his Mum’s not coming home, he embarks on a magical holiday with his father, Bosch, only to discover they’re actually running from the law. Rockit finds a soulmate and then teenage love with Ash Ash, but it’s the ocean that gives him the security and calm he yearns from his parents. Ultimately Rockit is a boy nurtured and held by nature.

A Marine Biologist is assigned to investigate the mysterious deaths of marine life in an inland salt water lake that have been attributed to a creature thought to have been the stuff of legend.

A portrait of union leader James R. Hoffa, as seen through the eyes of his friend, Bobby Ciaro. The film follows Hoffa through his countless battles with the RTA and President Roosevelt.

A young boy stays with his aunt and uncle, and befriends his cousin who’s the same age. But his cousin begins showing increasing signs of psychotic behavior.

Against the backdrop of a military dictatorship, Eugenia is reunited with her estranged family following her father’s stroke and is forced to confront dark secret.

A woman reeling from the death of her parents becomes attached to an alluring man whose sudden disappearance sends her and her friends into a haunted high-rise to find him.

When college students sign up for what seems a simple paid research study, they soon realize their lives are in danger. Unfortunately they’ve unknowingly volunteered their bodies as human collateral in an ongoing U.S. Military experiment.

Single mother Lotta and her younger sister Sanna are both successful in their different jobs, and are living very different lives, but are attracted to men who are their opposites.

When a female guard becomes a prisoner of his mind, a male inmate struggles to keep the truth from escaping.

David’s life is on the slide: he’s broke, in the middle of a divorce and ‘can’t get it up’. His girlfriend, Alice, is his rock, but the magazine she writes for is going down and the pressure is on to find a story. While job hunting online, David stumbles across the perfect antidote to his boredom: a ‘Swingers’ site. The resulting inbox of lewd invitations on the home-laptop justifiably upsets Alice, until she realises this could be just the ‘story’ she needs. The idea of uncovering the swinging scene causes quite a stir in Alice’s office and, much to David’s chagrin, she is urged to pursue the story. Their first reluctant foray is an hysterically low-rent initiation, however, an unexpected upturn for David’s manhood is all the extra encouragement they need. As events accelerate beyond their control the once adoring couple become lost and fundamental questions are asked of their relationship.

Rumania’s entry in the 1958 Cannes Film Festival was the excessively melodramatic Ciulinii Bărăganului. The title translates as Fools of Bărăgan, in reference to a band of beleaguered feudal Rumanian peasants. But these are no fools: instead, they are fearless freedom fighters, organizing a brave (though foredoomed) revolt against the tyranny of the landowners. The parallels drawn between the people of Bărăgan and Russia’s revolutionary leaders are all but impossible to miss. It would have been nice, however, if the story had not been told in such a heavy-handed, spell-it-all-out fashion.