The first signs of autumn are seen in a landscape along a river. Some villagers are stacking a bed of stone blocks on the river-bank to avoid more eroding. Others are occupied by ploughing, fishing or repairing. A small steamboat passes by. In the engine room a stoker is shovelling coal into the oven. Further down the river a small town is passed by the water. A rowing-team is training for coming races. Some biologists are looking at microbes from the water through a microscope. A group of workers are painting a new barge and push it into the river. When a small boy sees a racing boat, he leaves his sand-castle and runs along the river.
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On October 24 at 10am, Jon Foreman and his friends embarked on a music journey throughout San Diego aiming to play 25 shows in 24 hours. With venues including a children’s hospital, a wedding, and a Mexican restaurant, this 24-hour musical experience explores the polarity of everyday life, taking viewers to places that only music can go. Through his journey, Foreman discovers that the road less traveled is always worth the risk, and sometimes the only way to hold on is to let go.
“The Risk not Taken” is a story about making the right decisions. Can one calculate the inherent risks of imminent decisions and take full responsibility for their outcome? Should one be allowed to make decisions of this magnitude for others? With the symbolic omnipotent sphere, the main character holds the world’s fate in his hands. The decision is his whether to use this power to improve life for many, yet at the same time might risk a catastrophe, or to separate himself from this power, and take the safer, more long lasting path. As he ponders and envisions the possible risks involved if he were to use the power, as well as what he would lose if he made the wrong decision, symbolized by the woman and child, he decides against this burden of power and lets go of the power and lets the sphere fall so as not to be tempted to change his mind.
Documentary about the two big resources in the North Atlantic, fish and oil, and the impact of their exploitation on the environment in various countries on both sides of the Atlantic.
In 1860, as the American Experiment threatened to explode into a bloody civil war, there were as many as four hundred thousand slave-owners in the United States, and almost four million slaves. The nation was founded upon the idea that all men are created equal and endowed by their creator with the inalienable rights of life, liberty and the pursuit of happiness. The nation would pay a bloody cost for denying that right to more than twelve percent of its population. But when slavery was first brought to America’s shores, this war, and even the nation it tore apart, was centuries in the future. With incredibly detailed historical reenactments, expert commentary and the stories of slavery told through first-hand accounts, this is an epic struggle 400 years in the making. A journey into the past like none other. This is the story of these men and women who by their hands laid the foundation of what would become the most powerful nation on Earth.
In 1936, 18 African American athletes dubbed the “black auxiliary” by Hitler defied Nazi Aryan Supremacy and Jim Crow Racism to win hearts and medals at the 1936 Summer Olympic Games in Berlin. The world remembers Jesse Owens. But, Olympic Pride American Prejudice shows how all 18 are a seminal precursor to the modern Civil Rights Movement.
With this inventive portrait, director Kirsten Johnson seeks a way to keep her 86-year-old father alive forever. Utilizing moviemaking magic and her family’s dark humor, she celebrates Dr. Dick Johnson’s last years by staging fantasies of death and beyond. Together, dad and daughter confront the great inevitability awaiting us all.
Andrew Wyeth was one of America’s most popular, but lease understood artists. Through unprecedented access to family members, archival materials, and his work, “Wyeth” presents the most complete portrait of the artist.
The Call of the Wild is a 2007 documentary by independent filmmaker Ron Lamothe detailing the odyssey of Christopher McCandless, who is best known as the subject of the novel (and later film) Into the Wild. McCandless, a self-described “aesthetic voyager whose home is the road”, died on Alaska’s Stampede Trail in August of 1992. His death followed a two-year cross-country odyssey that took him from Atlanta to Arizona, down into Mexico, and from California’s Salton Sea to the streets of Las Vegas and the small town of Carthage, South Dakota, and countless places in between. In the spring of that year, the 24-year-old McCandless had made his way north to Alaska, where he lived in the woods north of Mt. McKinley for 113 days before his death by starvation.
The comedy icon sounds off on parenting with her French wife, the perils of public bathrooms and why she’s tired of going high when others go low.
“I’m known to be a feminist, but I don’t do male bashing, because I think men and women need each other, and all we need is a new equation: love and mutual respect.” – Aruna Raje. CineVedas Inc. presents Women Beyond Bollywood, a film in which women filmmakers in India are challenging Bollywood’s misogynistic tropes, venturing into taboo territories with dramatic, realistic, and subversive films. In Women Beyond Bollywood, director Rahila Bootwala meets with some remarkable women, from doyennes of Indian cinema to vibrant emerging filmmakers. She meets three generations of women who are reshaping the film industry and taking controversial stances on religion, sexuality, marriage, and other taboo subjects. “Women Beyond Bollywood” has opened at the Indian Film Festival (Melbourne, Australia), Tasveer South Asian Film Festival (Seattle, U.S), Through Women’s Eyes (Florida, U.S), La Femme International Film Festival (Los Angeles, U.S), Chicago South Asian Film Festival (Chicago, U.S).
There is no place for doubt, sadness and fear in the American army. Still, many soldiers struggle with these feelings. Beer is Cheaper than Therapy portrays what goes on behind the facade of heroism and the ‘John Wayne mentality’.
