In a small town in 1970s West Germany, Stephanie is raised by two parents who have no business having children. The mother suffers from an unspecified medical condition—one both mental and physical. The father makes it clear that he has no patience for his daughter. Young Stephanie takes solace in exploring the mysteries hidden away in the increasingly untidy house, particularly the trunk full of her grandfather’s butcher’s equipment; older Stephanie takes far more sinister comfort in the tools found therein.
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The two tradesmen Ib and Edward are tired of their lifeless marriages and dream of living the good life from the stash of money they’ve earned moonlighting for years. After a huge fight with their wives the two men get drunk and hire a Russian contract killer to do a hit on their spouses. But they have badly underestimated their wives, and this becomes the start of an absurd journey where Ib and Edward to their own horror end at the top of a kill list.
Believing that writing Cantopop is her God-given talent, Law Wing-sze decides to make it her lifelong career. But as hard as Sze tries to polish her lyric-writing skills and expand her social circle, nothing seems to go her way. What if there’s a will, but there’s no way?
A teacher lives a lonely life, all the while struggling over his son’s custody. His life slowly gets better as he finds love and receives good news from his son, but his new luck is about to be brutally shattered by an innocent little lie.
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