Pirates take over a lighthouse on a rocky island. They then execute a devious plan to cause ships to run aground, pillaging their wrecks. A lone member of the lighthouse crew survives, and he deperately fights their plot. A shipwrecked maiden that avoids the pirates slaughter soon complicates the situation.

Tensions run high when a recently-divorced couple are given an offer they can’t refuse. Once well-established movie songwriters, Lisa and Charlie are thrown together again when a movie producer offers them a rewarding contract to compose a new song. However, old wounds and new love interests guarantee that this job will be anything but easy money.

Minako (TANAKA Yuko), begins her day running up and down the hills of her hometown delivering milk door to door. When that’s done, she heads to her day job as a supermarket cashier. Minako is 50 and single. In one of the houses to which she delivers milk is a man with whom she has secretly been in love since high school. The man, Keita (KISHIBE Ittoku), lives with his wife Yoko, who is terminally ill. Caring for her at home, he works in the children’s affairs section of the local municipal office. Though he insists that he wants nothing more than an “ordinary” existence, his life is in turmoil below the surface. The director uses a variety of narrative devises to portray the loneliness, isolation, and hope of these people who have seemingly allowed their goals and dreams to slip away, whilst keeping them agonizingly close to hand.

Desperate to jar herself from the rich tedium of picture-perfect Beverly Hills, Sophie moves across town to another world: Echo Park. She quickly strikes up an unexpected connection with Alex, a handsome neighbor and British expat who is reluctantly selling his beloved home to move back to London. As the summer passes, a romance driven by uncertainty compels them to reassess where each belongs.

Concert pianist Henry Orient (Peter Sellers) is trying to have an affair with a married woman, Stella Dunnworthy (Paula Prentiss), while two teenage private-school girls, Valerie Boyd (Tippy Walker) and Marian Gilbert (Merrie Spaeth), stalk him and write their fantasies about him in a diary. Orient’s paranoia leads him to believe that the two girls, who seem to pop up everywhere he goes, are spies sent by the husband of his would-be mistress. When Val’s mother, Isabel Boyd (Angela Lansbury), finds their diary, she suspects that Henry has acted inappropriately with her daughter. She contacts Orient and they end up having an affair. Val finds out about it, as does her dad.

After Rocky goes the distance with champ Apollo Creed, both try to put the fight behind them and move on. Rocky settles down with Adrian but can’t put his life together outside the ring, while Creed seeks a rematch to restore his reputation. Soon enough, the “Master of Disaster” and the “Italian Stallion” are set on a collision course for a climactic battle that is brutal and unforgettable.

Middle-class parents are confounded when their son brings home his new partner: an elegant, confusingly androgynous West Indian.

A hoodlum (Corey Allen) plots to seduce a lonely housewife (Kate Manx) and turn her over to his virginal friend (Warren Oates).

Tell It Like A Woman comprises of seven segments that are directed by female directors from different parts of the world and shot in Italy, India, Japan, and the U.S. Each segment is an inspirational and empowering story about women, by women, for everyone.

Deep underwater in the Marianas Trench an accident results in a devastating Tsunami that destroys the Hawaiian Islands as it continues toward the west coast. Panic ensues all up and down the western coast of North and South America. In an attempt to lessen its impact, scientists launch an underwater explosion that inadvertently makes the tsunami more powerful and focused on Los Angeles. Scientists rush to a solution while the military begins planning for the worst. Los Angeles begins emergency evacuation. Lives and loves are lost even as a brash young grad student comes up with a solution: start the mother of all earthquakes to counter the rushing torrent and raise the continental shelf off the coast of the United States.

‘The Wishing Tree’ is a magical, inspirational and an extremely entertaining story of five children in a hill-station somewhere in India, who come together to save their ‘wishing tree’ from being cut by vested interests. The film is extremely lively, endearing and engrossing so that the underlying message to protect trees and environment is seamlessly driven home.

Realistic story of working class Yorkshire life. Two schoolgirls have a sexual fling with a married man. Serious and light-hearted by turns. Rita, Sue And Bob Too was adapted by Andrea Dunbar from two of her own controversial plays. Rita (Siobhan Finneran) and Sue (Michelle Holmes) are two teenagers living on a run-down council estate in Bradford who both share a job babysitting for Bob (George Costigan) and Michelle’s (Lesley Sharp) children. Whilst giving them a lift home one night, Bob decides to take Rita and Sue up to a deserted, country-side landscape. Clearly knowing what he has in mind, Rita and Sue are only too happy to oblige and both have a sexual encounter with him that becomes a regular occurrence. Despite the blatant politically-incorrect nature of the film, this does emerge as a somewhat controversial, though enduringly amusing film that has a sharp, gritty undertone.