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A small town sheriff who’s investigating a murder at the local diner ends up finding more than he bargained for in the town and in himself.

When dysfunctional adult Al Clancy mistakenly agrees to mind his smart-ass 10-year-old nephew Karl for a week, his job and home are placed in jeopardy. In a bold bid to save Al’s job, they steal his mam’s camper van, become best friends, and embark on a criss cross adventure, putting up posters all over Ireland. When things go wrong and the lads get cranky, one of them realises that the other one needs to grow up.

Junk Food consists of four intertwining stories. The first and fourth sections show the morning routine of an blind, old Japanese woman, waking up, buying bread and milk, praying at the family alter; however, it is the second segment where the true story begins.

Viviana (Andrea Lopez) and Alicia (Martha Isabel Bolaños) have never met, but they’re about to get intimately acquainted. One day, while tipping drinks back in a bar, the two women strike up a conversation that quickly turns personal, Viviana is locked in an abusive marriage, and Alicia’s female lover, Lorena (Carolina Sepulveda), has recently fallen for another woman. As the two women strangers find common ground in their lives, they enter into a secret pact to kill the people who have made their lives a living hell. Seductive, bloody and shocking events send them both plummeting down a destructive path from which there is no escape

A backwoods bootlegger decides to put the driving skills he developed evading the law to good use. He becomes a race car driver, and eventually, one of the fastest drivers in history.

Fourteen-year-old Lila is experiencing an ennui-filled Brooklyn summer. She awkwardly wears a Kabuki-esque mask of sunscreen at the beach and plays third wheel to Chiara, her more experienced friend, and Chiara’s boyfriend, Patrick. Determined to have a love interest of her own, a bravado-filled Lila pursues Sammy, a tough but handsome older boy….

Directed by Richard C. Sarafian, this 1969 British children’s film stars Mark Lester as a young boy, unable to speak, who befriends both a wild colt with blue eyes and a falcon named “Lady”. The cast also includes John Mills, Gordon Jackson and Sylvia Sims.

A once accomplished sculptor, a former college art teacher, but now a lonely graveyard shift doorman, Abner Roth is sadly a mere shadow of his former self. Having lost the love of his life and haunted by the death of a woman in a terrible car accident a year ago, he is desolate and suicidal but amusingly so. Step in Zoe, a free spirited taxi driver with a large hart and persuasive disposition. Zoe’s energy and outlook help Abner look at life anew and try to reconcile his conflicted past.

When a battered mistress meets her neighbor, she knows he will be her perfect escape plan. But things turn chaotic when their plan backfires.

Comédienne hantée par son rôle de Nathalia Petrovna, l’héroïne de la pièce de Tourguéniev Un Mois à la campagne qu’elle répète difficilement, Marcelline tente de noyer ses angoisses dans une piscine sur un air de Glenn Miller. Mais rien n’y fait. Rien n’empêche le temps de courir et de lui imposer ses quarante ans et toujours pas d’enfant.

Bethlehem tells the story of the unlikely bond between Razi, an Israeli secret service officer, and his Palestinian informant Sanfur, the younger brother of a senior Palestinian militant. Razi recruited Sanfur when he was just 15, and developed a very close, almost fatherly relationship to him. Now 17, Sanfur tries to navigate between Razi’s demands and his loyalty to his brother, living a double life and lying to both men. Co-written by director Yuval Adler and Ali Waked—an Arab journalist who spent years in the West Bank—Bethlehem gives an unparalleled, moving and authentic portrait of the complex reality behind the news.