Amy Tan has established herself as one of America’s most respected literary voices. Born to Chinese immigrant parents, it would be decades before the author of The Joy Luck Club would fully understand the inherited trauma rooted in the legacies of women who survived the Chinese tradition of concubinage.

Rising comedy star Jerrod Carmichael takes to the stage of The Comedy Store in Hollywood, CA where he comically subverts such subjects as poverty, wealth, crime and race and presents his unique take on national tragedies, female empowerment, and more.

The first of two Latinas to represent Texas in Congress, Veronica Escobar, and the only African-American woman to run for city council in Austin in 2018, Natasha Harper-Madison, lead a diverse group of progressive voices across Texas as they fight decades of institutional racism and policies of discrimination along the border. The battle over immigrant rights, land seizures to build the border wall, and the troubled racial history of the state form the backdrop to a film that explores how a place once known for its reactionary politics is becoming more liberal, more diverse—and more at risk for violent conflict.

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Animal Kingdom is a stunning exploration into just what makes our natural world so spectacular. An educational journey from A-Z, the film introduces junior audiences to animals from all over the world and explores the ways in which we can help to protect them. Across frozen snowy forests, under scorching African Sun, and into the darkest depths of the ocean, the film will break down why animals are the way they are and answer the simple but important questions that form the basis of our knowledge about the animal world.

At the consulting service for immigrants at the Avicenne Hospital in suburban Paris, we observe the sorrow and powerlessness of the immigrants who come here.

In 1985, former oil rig worker Richard Linklater began a film screening society in Austin, Texas, that aimed to show classic art-house and experimental films to a budding community of cinephiles. Eventually incorporating as a nonprofit, the newly branded Austin Film Society raised enough money to fly in their first out-of-town filmmaker: James Benning. Accepting the invitation, Benning met Linklater and the two began to develop a personal and intellectual bond, leading to many future encounters. Starting in the 1960s, Benning had been creating low budget films mostly on his own, while Linklater had just begun to craft his first shorts. The filmmakers have remained close even as their careers have diverged. After the cult success of Slacker, Linklater went on to make films with Hollywood support. Benning, meanwhile, has stayed close to his roots and is mainly an unknown figure in mainstream film culture.

The Sydney Football Stadium. Iconic. Controversial. Magical. Memorable. A centrepiece in Sydney’s sporting landscape since 1988. Follow the journey of the designers and builders who navigate the complexities of the last couple of years.

“ADDICTED TO SEXTING”, a compelling (and sometimes humorous) look at the rise and proliferation of this social phenomenon from several varying perspectives and how the lives of those engaged in it are affected. Throughout the course of the film, we examine nearly every aspect of what has become a national and international pastime. A vast range of opinions give their input about this delicate subject and, as such, discussions with notable figures in the entertainment, political and medical fields (among others) are included. The film touches on the many high profile scandals surrounding public officials and the resulting consequences of their actions. In stark contrast, an honest look at the possibility of sexting as a positive development within the framework of healthy relationships is also presented. Sexting exists and is not likely to disappear anytime soon. “ADDICTED TO SEXTING” shows the why, how and what possible purpose it serves.

An old man reminisces about a distant homeland. He wants to return. Internally displaced as a result of the ongoing conflict between the Pakistan army and the Taliban and forced to live in a camp, the family is caught between memories of what life was, an insecure present and a bleak future.

Honing his craft as an indie filmmaker in Germany in the early 90s, Uwe Boll never could have imagined the life that lay before him. From working with Oscar-winning actors and making films with US$60million budgets to having actors publicly disparage him and online petitions demanding he stop making films, Boll continued to work; he has a filmography of 32 features, a career that has led to his new life as a successful high-end restauranteur. Already a cult legend, he will be remembered forever in the film world; for some, as a modern-day Ed Wood, who made films so bad, they’re good, while for others, a prolific filmmaker who came from a small town in Germany and never compromised his integrity while forging his own unique Hollywood trajectory.

The Age of Stupid is the new movie from Director Franny Armstrong (McLibel) and producer John Battsek (One Day In September). Pete Postlethwaite stars as a man living alone in the devastated future world of 2055, looking at old footage from 2008 and asking: why didn’t we stop climate change when we had the chance?