Blaming herself for her son’s accidental death, a young wife risks redemption at the hands of an otherworldly intruder who appears in her home during a night of apocalyptic events and somehow knows every detail of her guilt-ridden past.
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An obsessive-compulsive Japanese librarian living in Bangkok spends most of his days contemplating suicide in his lifeless apartment. His life changes when he witnesses the death of Nid, seconds before he was about to jump off a bridge. This brings him in contact with Nid’s elder sister Noi – these two lost and lonely souls help each other find the meaning to their meaningless existences.
Molly is struggling with being a new mom, but after meeting Beth, things temporarily improve only to turn as Beth’s dark intentions are brought to light.
When a producer suggests that screenwriter Grace Mitchel pen a horror story set in an old hotel, the lond-abandoned Lyndora seems theperfect inspiration. The turn-of-the-century hotel is known for its rough and seedy past – the doors to its rooms sealed 50 years ago following a series of gruesome murders – and local lore says it’s haunted. Despite the reservations of family and friends, an undaunted Grace takes up residence in the eerie inn to immerse herself in writing … But now that the doors are open, the secrets of the past begin to emerge. As disturbing, but seemingly explicable, events begin to escalate, Grace struggles to define reality from insanity and begins a descent into darkness from which some will never return.
Can you really get away with murder? Welcome to the world of Katrina, a 19-year-old single mum who’s planning to do just that. Katrina lives in a world of petty crime, fast cars, manicures and blow-jobs. A master manipulator of men living at home with her father in suburban Golden Grove, Katrina will stop at nothing to get what she wants – even murder.
When an aspiring author and his free-spirited sister both fall for the enigmatic paying guest at their home, ensuing events rock their traditional family.
It’s San Francisco in 1957, and an American masterpiece is put on trial. Howl, the film, recounts this dark moment using three interwoven threads: the tumultuous life events that led a young Allen Ginsberg to find his true voice as an artist, society’s reaction (the obscenity trial), and mind-expanding animation that echoes the startling originality of the poem itself. All three coalesce in a genre-bending hybrid that brilliantly captures a pivotal moment-the birth of a counterculture.
The return of a vengeful ex-girlfriend sets into motion a series of gruesome events for a hapless Irish bachelor in director Robert Quinn’s grim black comedy. Tommy (Andrew Scott) had thought he had seen the last of Jean (Katy Davis) after their recent breakup, but when she returns to stake her claim on Tommy’s apartment, the confrontation that ensues makes their previous quarrels look petty by comparison. After leaving the apartment in the head of the fight to cool his head and gather his thoughts, he returns only to find that Jean has died and enlists the aid of his friend Noel (Darren Healy) in ditching the body and ensuring that no one ever finds out what happened.
Mo Ali’s futuristic knife-crime drama brings the dystopian environment of CHILDREN OF MEN and DISTRICT 13 to London’s East 17. SHANK delivers a ruthless vision of forthcoming urban life, where guns have been superseded by knives and are fiercely wielded by aimless youths. Amidst the chaos is the Paper Chazers gang, a rare morally conscious group who trade scavenged food for money. After Chazers gang member, Junior (Kedar Williams-Stirling), witnesses his brother, murder he must decide whether to get revenge of stick to the gangs moral code… In this superbly paced and artistic film, present-day social issues, and murky city streets, provide a perfect canvas for imagination and action.
Trevor is ‘between jobs’. He spends his days avoiding his nagging heifer of a wife by hiding out in his allotment shed and painting figurines for his wargames with his agoraphobic friend, Graham, and dreaming of his heroic alter-ego, the battle mage Casimir the Destroyer. When Mr Parsons, one of the other allotment tenants, petitions to have Trevor removed from his disgrace of a plot (he’s not there to grow stuff!) an argument ensues that leaves Trevor with a corpse to hide. Unfortunately, this untimely accident coincides with the zombie apocalypse and Mr Parsons’ return is just the beginnings of Trevor’s problems. More pressing is whether or not he should try and save his wife and her beautiful best friend, who both he and Graham have a thing for.
