A sister, claiming to be cursed, persuades her brother to embark on a cross country road trip to break her spell.
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A serial killer is on the loose. His victims are unfaithful wives and he always leaves compromising photographs at the crime scene.
Antoine and Olga, a French couple, have been living in a small village in Galicia for a long time. They practice eco-responsible agriculture and restore abandoned houses to facilitate repopulation. Everything should be idyllic but for their opposition to a wind turbine project that creates a serious conflict with their neighbors. The tension will rise to the point of irreparability.
Patagonia narrates the journeys of two women – one looking for her past, the other for her future. The film inter-cuts between their stories, in which one of them travels south to north through the Welsh springtime and the other east to west through the Argentine autumn.
After a love affair ends badly, a young Parisian named Paul sinks into the same kind of deep depression that led his sister to kill herself. He moves back home with his father and aimless brother Jonathan but refuses to get out of bed.
A former clergyman finds himself back in his old boarding school where the disturbances experienced by its community might help him regain his faith and tie up loose ends in regards to his son’s death by a deadly spirit.
Lam Kwok Kuen, nearing retirement and raising a mentally challenged son by himself, is a police officer whose sole requirement on the job is oversee the department fleet. Despite this, he remains active in the front line of police service, putting his life on the line for the sake of others, his heroism bettering even the most seasoned professionals. He fights the bad guys, putting criminals behind bars, upholding the law at any cost, for as his adage proclaims, to live a day surmounts to pursuing justice relentlessly, whether life or death proceeds in its aftermath.
When disillusioned Swedish knight Antonius Block returns home from the Crusades to find his country in the grips of the Black Death, he challenges Death to a chess match for his life. Tormented by the belief that God does not exist, Block sets off on a journey, meeting up with traveling players Jof and his wife, Mia, and becoming determined to evade Death long enough to commit one redemptive act while he still lives.
As a fan of Albert Camus and Jean-Luc Godard, teenage Nick Twisp is definitely out of his element when his mother and her boyfriend move the family to a trailer park. When a pretty neighbor named Sheeni plays records by French crooners, it’s love at first sight for frustrated and inexperienced Nick. Learning that she is dating someone, Nick launches a hilarious quest to find his way into Sheeni’s heart — and bed.
Broken teens facing incarceration for a crime they were forced to commit decide not to accept their destitute destiny and go about making a new one by forcing redemption onto bad people. The Juvenile Delinquents form a new dysfunctional family as they maneuver around problems manifesting from their youth, competitiveness, irrationality, and the gruesomeness of their new lives.
Leo Bernardi is a successful and acclaimed Italian director. He’s approaching the end of his career but he cannot accept his slow decline. He has just finished shooting his last movie and he’s deeply sad. The movie is inspired by the novel about Casanova written by Arthur Schnitzler, a character so similar to the director, even more than he could imagine. Schnitzler’s Casanova is aged, glory days are over: he lost his charm and his attraction to women, he’s broke and no more eager to travel through Europe. After a long exile, he just wants to go back to Venice, his homeland. While traveling home Casanova meets a girl, Marcolina. She reawakens his desire, lost for years. So, he tries to seduce her but that leads him to a tragic understanding: he’s an old man now. It’s not by chance that Leo Bernardi decided to tell this story right now, in a pivotal moment of his life and career. The destiny of both Casanova and his director leads them to a final confrontation.
Dutch coach Thomas Rongen attempts the nearly impossible task of turning the American Samoa soccer team from perennial losers into winners.
Detective – turned – bodyguard Cynthia McKay (Cynthia Rothrock) is hired by a psychotic icy seductress, Nina Lindell (Lydie Denier), the same woman who killed Mckay’s lover months earlier. With vendetta in her heart McKay accompanies the flamboyantly playful womanizer through the glamourous world of the super-rich as his protector. In a unique role reversal, it is the woman protecting the man from another woman, erupting into a deadly triangle of passion, suspense and action.