Peter Greenaway’s first fiction feature (after the mock-documentary The Falls) made him immediately famous and was named one of the most original films of the 1980s by British critics. The action is set in the director’s beloved 17th century. Ambitious young artist Mr. Neville (Anthony Higgins) is invited by Mrs. Herbert (Janet Suzman) to make 12 elaborate sketches of her estate. Besides money, the contract includes sexual favors that Mrs. Herbert will offer to the draughtsman in the absence of Mr. Herbert. Entirely confident in his ability to weave a web of intrigues, Mr. Neville eventually becomes a victim of someone else’s elaborate scheme. The film is structured as a sophisticated intellectual puzzle like the ones popular in the 17th century.

A computer scientist invents an experimental artificial intelligence that can manage and control all the functions for his vacation cabin in the woods. When he gives it a female personality, it becomes a little too managing and controlling, resulting in deαdly consequences.

Thriller about Guy Luthan (Hugh Grant), a British doctor working at a hospital in New York who starts making unwanted enquiries when the body of a man who died in his emergency room disappears. The trail leads Luthan to the door of the eminent surgeon Dr Lawrence Myrick (Gene Hackman), but Luthan soon finds himself under in danger from people who want the hospital’s secret to remain undiscovered.

Nine-year old Reliana witnesses Rossini’s efforts to salvage his seemingly cursed new opera, the Barber of Seville.

In pre-war Italy, a young couple have a baby boy. The father, however, is jealous of his son – and the scene moves to antiquity, where the baby is taken into the desert to be killed. He is rescued, given the name Edipo (Oedipus), and brought up by the King and Queen of Corinth as their son. One day an oracle informs Edipo that he is destined to kill his father and marry his mother. Horrified, he flees Corinth and his supposed parents – only to get into a fight and kill an older man on the road…

As Garibaldi’s troops begin the unification of Italy in the 1860s, an aristocratic Sicilian family grudgingly adapts to the sweeping social changes undermining their way of life. Proud but pragmatic Prince Don Fabrizio Salina allows his war hero nephew, Tancredi, to marry Angelica, the beautiful daughter of gauche, bourgeois Don Calogero, in order to maintain the family’s accustomed level of comfort and political clout.

In the seedy underground of illegal prizefighting, a corrupt boxing promoter is embroiled in a dangerous fight-fixing scheme with his female prizefighter.

Newly single, 35, and uninspired by his job, Jesse Fisher worries that his best days are behind him. But no matter how much he buries his head in a book, life keeps pulling Jesse back. When his favorite college professor invites him to campus to speak at his retirement dinner, Jesse jumps at the chance. He is prepared for the nostalgia of the dining halls and dorm rooms, the parties and poetry seminars; what he doesn’t see coming is Zibby – a beautiful, precocious, classical-music-loving sophomore. Zibby awakens scary, exciting, long-dormant feelings of possibility and connection that Jesse thought he had buried forever.

Blackfella Charlie is getting older, and he’s out of sorts. The intervention is making life more difficult on his remote community, what with the proper policing of whitefella laws that don’t generally make much sense, and Charlie’s kin and ken seeming more interested in going along with things than doing anything about it. So Charlie takes off, to live the old way, but in doing so sets off a chain of events in his life that has him return to his community chastened, and somewhat the wiser.

An architect and his wife see their relationship challenged.

A friend and family get together take a turn for the worst when past relationships intertwine with new ones. Unforgiving past mixed with liquor and emotions makes this house warming party very cold.

Edvard Munch was one of the most important artists in the period between the 19th and 20th centuries. His motif Skrik (The Scream), repeated in several techniques, became part of the 20th-century world subconsciousness – an image of fear and loneliness most people probably know, even if they have no idea who created it.