On the eve of the 25th Anniversary of their iconic self-titled debut album, Third Eye Blind is set to play the historic Red Rocks amphitheater for the first time. An approaching storm threatens to cancel the show, as the band overcomes speech-losing migraines, altitude sickness, and a lighting person walking off, all the while delivering a hit-filled performance to thousands of their adoring fans. Cycling through their catalog of mega hits (Graduate, Jumper, How’s It Gonna Be, Semi-Charmed Life), Third Eye Blind overcome these impossible circumstances by relying on each other, and connecting with their devoted audience.
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Freedom Uncut chronicles the tumultuous — yet creatively fruitful — period of Michael’s life and career following the release of his 1987 solo debut, Faith, then through the creation and release of his 1990 follow-up Listen Without Prejudice, Vol. 1. Along with documenting his creative efforts during this period, the doc will also explore his relationship with Anselmo Feleppa — who died from AIDS-related complications — as well as the death of Michael’s mother.
Filmed at London s Hammersmith Apollo on 12th December 1993, this previously unreleased concert film captures the then newly reformed Dio on the last night of their European tour in support of the Strange Highways album. With a line-up of Ronnie James Dio (vocals), Vinny Appice (drums), Jeff Pilson (bass) and Tracy G (guitar) the band delivered a blistering performance of tracks from their new album, previous Dio classics and favourites from Ronnie s career with Black Sabbath and Rainbow. So take a ride on Strange Highways and be blown away by one of the greatest rock bands of all time.
Striving to be independent, the blind but determined Don Baker (Edward Albert) moves away from his overprotective mother (Eileen Heckart, who won an Oscar). After settling into his new San Francisco digs, Don meets kooky neighbor Jill Tanner (Goldie Hawn). Don’s quick wit and good looks disarm the free-spirited Jill, and before long they’re more than just friends. Will Mrs. Baker’s incessant meddling destroy Don and Jill’s budding relationship?
A female rock band acquires an infamous composition by Niccolò Paganini that was used in satanic rituals. When the band decides to record the song and film a video in Paganini’s old mansion, the spirit of the deceased composer is summoned and the band unlocks a portal to Hell.
An alien intending to claim Earth for his people before their homeworld is destroyed by a comet decides not to eliminate humanity when he hears their music. Instead, he lives among them until another alien is sent to find and kill him.
Unable to tour in 2020, the members of ONE OK ROCK work for months to put on an online concert that matches the energy of their in-person shows.
Luther Vandross started his career supporting David Bowie, Roberta Flack, Bette Midler, and more. His undeniable talent earned platinum records and accolades, but he struggled to break out beyond the R&B charts. Intensely driven, he overcame personal and professional challenges to secure his place amongst the greatest vocalists in history.
The story of Usnavi, a bodega owner who has mixed feelings about closing his store and retiring to the Dominican Republic or staying in Washington Heights.
“Golden Voices Competition” is to be held this year at Terrell Christian College (TCC), but there’s one problem TCC does not have a choir. Georgia Mae Jackson (Irma P. Hall) who is the head of the music department has been challenged by the Assistant Dean Vickie Wilson (Tonea Stewart), to put a choir together in one month or lose her job. Georgia’s back goes out so she tricks her granddaughter, Sidney Nicole Taylor (Nikki Dixon) into taking over the choir for her. Sidney turns the college upside down when she hires a fallen, bad boy, R&B singer, Jax Rebel (Mario Mims), to help her with the choir. Dean Wilson finds out about Jax’s sorted past and threatens to fire Georgia if they don’t win the competition. Will, Sidney and Jax be able to save Georgia’s job?
Lewis, a young amateur theater director, is offered a job with a governmental program for the rehabilitation of mentally ill patients in a Sydney institution. His project is overrun by one of the patients who wants to stage the opera Cosi Fan Tutte by Mozart despite the fact that none of the patients are able to sing and none of them speak Italian. A comedy of errors ensues, but one which unifies the patients and their director in unexpected ways.
