Monsters are real, they came from outer space and they are here to destroy the world – unless we can stop them.
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Determined to keep Annabelle from wreaking more havoc, demonologists Ed and Lorraine Warren bring the possessed doll to the locked artifacts room in their home, placing her “safely” behind sacred glass and enlisting a priest’s holy blessing. But an unholy night of horror awaits as Annabelle awakens the evil spirits in the room, who all set their sights on a new target—the Warrens’ ten-year-old daughter, Judy, and her friends.
Sandy has stumbled onto a lair of torture and humiliation. She was abducted and brought to this pit of pain as the next intended victim. But Sandy overthrows her captor and kills him. Does she release the other prisoners? Does she call the police? No. Her mind snaps and she assumes control over the prisoners, taking them as her own playtoys. Naked bodies writhe in ecstasy as blood runs down the walls in this chilling tale of madness and revenge
Maryann moves in with her grandparents after she’s orphaned. Desperately lonely, she sets out to befriend a neighboring deathly ill, bed-ridden boy, despite the outright disapproval of his mother. Maryann’s persistence pays off, however, and during a series of secret visits she gradually uncovers some seriously sinister goings-on in the house.
An old flame of Bruce Wayne’s strolls into town, re-heating up the romance between the two. At the same time, a mass murderer with an axe for one hand begins systematically eliminating Gotham’s crime bosses. Due to the person’s dark appearance, he is mistaken for Batman. Now on the run, Batman must solve the mystery and deal with the romance between him and Andrea Beaumont.
When a young woman is named as the prime suspect in a murder, her girlfriend and her girlfriend’s boyfriend set out to prove her innocence. Their investigation leads them to an isolated, creepy house in the middle of nowhere, where sinister goings-on abound.
A fading celebrity decides to use a black market drug, a cell-replicating substance that temporarily creates a younger, better version of herself.
Finney Shaw, a shy but clever 13-year-old boy, is abducted by a sadistic killer and trapped in a soundproof basement where screaming is of little use. When a disconnected phone on the wall begins to ring, Finney discovers that he can hear the voices of the killer’s previous victims. And they are dead set on making sure that what happened to them doesn’t happen to Finney.