When Ricky Miller, a single, quiet 40-year old aspiring writer and manager of Debbie’s (think Denny’s) and probably the last person you’d notice in a crowd is ‘hit by lightning’ and meets the love of his life, the beautiful Danita on E-Happily.com, he is catapulted into a relationship online but it’s a lot more than what he bargained for – this includes being asked to kill! Hounded by his best friend Seth who thinks no “10” would even go out with a guy like Ricky unless she had ulterior motives (or needed glasses), Ricky starts to get skeptical himself. Turns out, Danita confesses she’s actually married to a handsome affable crime novelist and former Rabbi, Ben Jacobs. Is Danita telling Ricky the truth when she says wants to leave her husband but fears for her life if she does? Will Ricky go through with the plan to kill him so he and Danita can live happily ever after?

Melanie Parker, an architect and mother of Sammy, and Jack Taylor, a newspaper columnist and father of Maggie, are both divorced. They meet one morning when overwhelmed Jack is left unexpectedly with Maggie and forgets that Melanie was to take her to school. As a result, both children miss their school field trip and are stuck with the parents. The two adults project their negative stereotypes of ex-spouses on each other, but end up needing to rely on each other to watch the children as each must save his job. Humor is added by Sammy’s propensity for lodging objects in his nose and Maggie’s tendency to wander.

While serving life in prison, a young man looks back at the people, the circumstances and the system that set him on the path toward his crime.

Twenty years ago, the young ‘Five Fingers’ fought for the rural town of Marseilles, against brutal police oppression. Now, after fleeing in disgrace, freedom-fighter-turned-‘outlaw’ Tau returns to Marseilles, seeking only a peaceful pastoral life. When he finds the town under new threat, he must reluctantly fight to free it. Can he free himself from his past? Will the Five Fingers stand again?

A THOUSAND DAYS OF SOLITUDE is a tense dramatic story about a prison correctional guard who witnesses a suicide in solitary confinement and experiences moral strife when the warden bullies him to confine yet another prisoner to ‘the hole’ – left with a decision, obey the warden’s protocol or fight it.

Romeo and Juliet has never been more provocative than in this contemporary all-boy staging. Writer/director Alan Brown transfers the setting from fair Verona to a high school military campus where a small group of boys from rival schools act out the tragedy in real life. This bold adaptation eschews convention and challenges common perceptions of masculinity, gay youth and the military. Anchored by solid performances, the film balances the tough dialogue, tender romance and unique setting with an erotic rhythm and a few surprising twists.

Further explores some of the world’s most remote mountain terrain while continuing Jones’ mission to camp deep in the backcountry and on the summits of unridden lines to access nearly vertical spines and wide-open powder fields.

Camille was only sixteen and still in high school when she fell in love with Eric, another student. They later married and a child and were happy for a while. But now twenty-five years have passed and Eric leaves her for a younger woman. Bitter and desperate Camille drinks so much liquor at a New Year Eve’s party that she falls into an ethylic coma and she finds herself… propelled into her own past! Camille is sixteen again when she wakes up this morning, her parents are not dead anymore and she must go to school, where she will meet her schoolmates and, of course, Eric. Is she going to fall for him again and… be miserable twenty-five years later? Or will she avoid him with the result never having her beloved daughter? Who ever said that time traveling was fun?

Ordinary university student Min-Jae meets expert bank thief Suk-Goo. Min-Jae soon works Suk-Goo and his fraud team. Their heists go well, but they don’t trust each other.

This twisted Iranian narrative follows a mysterious couple from Tehran as they distribute large bags of money in an impoverished mountain border town. Beginning as a black comedy, the film’s mood transforms as the games played by Kaveh (director Mani Haghighi) and Leyla (Taraneh Alidoosti) become increasingly perverse, as they find inventive ways of humiliating the recipients of the cash. The immorality of the central characters is at times sickening, and their chain of lies is often as puzzling to us as they are to the townsfolk depicted onscreen. What is the relationship between the pair and why are they giving away money to the needy? Modest Reception has no easy answers nor pat resolutions – instead Haghighi takes the viewer on an intriguing ride into the dark recesses of the human spirit.

A suspect is killed while the ICAC team is investigating illegal soccer gambling in Hong Kong.

On his way out of the wilderness, Jesus struggles with the Devil over the fate of a family in crisis, setting himself up for a dramatic test.