Set against the backdrop of Iran’s strict and oppressive legal system, this anthology film tells the stories of four men who each face a moral crisis when having to deal with death penalties.
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Witek runs after a train. Three variations follow on how such a seemingly banal incident could influence the rest of Witek’s life.
A rush-hour fender-bender on New York City’s crowded FDR Drive, under most circumstances, wouldn’t set off a chain reaction that could decimate two people’s lives. But on this day, at this time, a minor collision will turn two complete strangers into vicious adversaries. Their means of destroying each other might be different, but their goals, ultimately, will be the same: Each will systematically try to dismantle the other’s life in a reckless effort to reclaim something he has lost.
Grace, a young heroin addict and Jamie, her alcoholic doctor, imprisoned by the horror of addiction and sexual co-dependency take a powerful natural hallucinogenic in order to travel the spiritual road to recovery. Whilst seeking the truth to their present and past behaviour but driven by self-obsession and malevolent denial, far from leading to salvation, the road they actually travel leads them to a place from which they may never return. A place where the truth is more horrific than the lies they tell themselves. One person from a past that connects them both holds the key to their new place of captivity and that person is in no hurry to leave.
Clarinetist Stan has a nightmare about killing a man in a mirrored room. But when he wakes up and finds blood marks on himself and a key from the dream, he suspects that it may have truly happened.
Sara joins Julliard in New York to fulfill her and her mother’s dream of becoming the Prima ballerina of the school. She befriends her roommates, Zoe and Miles, who teach hip-hop classes. She has ballet classes with the rigid and famous Monique Delacroix that she idolizes – Monique requires full commitment, discipline and hard work from her students. When Miles, who is a composer, invites Sara to help him compose the music for the dance choreography Sara’s passion for hip-hop is sparked and she also falls in love with Miles. When she is assigned to perform Giselle in an important event, she feels divided between the technique of the ballet and the creative work offered by Miles.
Three high school seniors – an aspiring actress, her misfit best friend, and a loner – become engaged in an intimate and complicated relationship.
A romantic drama set during the politically charged early 60s where a sophisticated woman returns to her Southern home town and discovers her options are limited yet discrimination is plentiful. With the help of a Congressional ally, she inspires historic legislation which allows opportunities and protections never before afforded to women.
In the carnival in Spain in the beginning of the Twentieth Century, the exiled republican Antonio Galvan comes from Paris masquerade to enjoy the party and visit his friend Capt. Don Pasqual ‘Pasqualito’ Costelar. However, he flirts with the mysterious Concha Perez and they schedule to meet each other later. When Antonio meets Pasqualito, his old friend discloses his frustrated relationship with the promiscuous Concha and her greedy mother and how his life was ruined by his obsession for the beautiful demimondaine. Pasqualito makes Antonio promise that he would not see Concha. However, when Antonio meets Concha, she seduces him and the long friendship between Antonio and Pasqualito is disrupted
Shakespeare’s 17th century masterpiece about the “Melancholy Dane” was given one of its best screen treatments by Soviet director Grigori Kozintsev. Kozintsev’s Elsinore was a real castle in Estonia, utilized metaphorically as the “stone prison” of the mind wherein Hamlet must confine himself in order to avenge his father’s death. Hamlet himself is portrayed (by Innokenti Smoktunovsky) as the sole sensitive intellectual in a world made up of debauchers and revellers. Several of Kozintsev directorial choices seem deliberately calculated to inflame the purists: Hamlet’s delivers his “To be or not to be” soliloquy with his back to the camera, allowing the audience to fill in its own interpretations.
