Dramatization of the trial of Christian anti-war activists, known collectively as the “Plowshares Eight”. In September 1980, they broke into a General Electric weapons plant in King of Prussia, Pennsylvania, and in an act of protest against nuclear proliferation, poured vials of their own blood onto secret missile plans, burned other files, and damaged nosecones intended for nuclear missiles. The direct-to-video production is intercut with clips from actual news coverage of the trial. The “Plowshares Eight” portray themselves in the production, and after taping was complete, reported to court for their imprisonment.

A spectacular heist starts to unravel as the crooks take it on the lam.

Taking his kids to school with the car, Berlin real estate developer Karl gets a call from a blackmailer: If he doesn’t pay up, the car will blow up. A deadly race against time begins.

A self-absorbed young man is challenged to grow a conscience and change his ways in order to receive an inheritance.

Set in a seaside resort in the Caucasus, the story centers on n’er do well, Laevsky (Andrew Scott) and his illicit relationship with his mistress Nadya (Fiona Glascott). Laevsky has convinced Nadya to leave her husband for him, but now wants to abandon her.

Sex, drugs and violence–they’re all part of the job when you’re protecting The King of Rock & Roll. And when you’re only 16, the on-the-job training comes in ways that can’t be taught in school. The story of David Stanley, stepbrother and bodyguard of The King. Through the dizzying highs and lows of life on the road with unlimited excess, he experienced it all…and barely survived.

The film follows a Jewish family living in Hungary through three generations, rising from humble beginnings to positions of wealth and power in the crumbling Austro-Hungarian Empire. The patriarch becomes a prominent judge but is torn when his government sanctions anti-Jewish persecutions. His son converts to Christianity to advance his career as a champion fencer and Olympic hero, but is caught up in the Holocaust. Finally, the grandson, after surviving war, revolution, loss and betrayal, realizes that his ultimate allegiance must be to himself and his heritage.

“Secondhand Lions” follows the comedic adventures of an introverted boy left on the doorstep of a pair of reluctant, eccentric great-uncles, whose exotic remembrances stir the boy’s spirit and re-ignite the men’s lives.

Kellie Martin plays an accountant who submits a reply to a “dear viola” letter to the editor that she works for, as an accountant. She has a real knack for writing to people and getting to the heart of the matter, and soon the whole town is involved in the romantics.

Nico, a drug dealer, murders a telegram messenger-boy “for kicks”, egged on by partner-in-crime, TV director Francis. Cliff, the boy’s older brother, investigates his death due to the slow progress made by the police.

Friends of the recently deceased Quincas take their pal’s body on one last tour of his favorite spots in Brazil’s Bahia.

An allegory of the Golem, a Jewish mythical creature personifying displacement and exile, this film tells the story of a woman (similar to the biblical Ruth) and her sisters, who are forced into exile after the death of their husbands. It is set in 1990s Paris, where the director was living in self-imposed exile following the ban on his 1982 documentary in Israel. The recurring theme of the film is migrations and unrooting, like the legendary Golem.